In 2017, there was something for everyone at the box office. From rich superhero stories like Wonder Woman, Logan and Thor: Ragnarok to inventive horror movies like Get Out and It, and the recent flood of awards season offerings like Call Me By Your Name and Lady Bird, not a week has gone by where there wasn't something worth watching on the big screen.

We saw breathtaking original films, such as Guillermo del Toro's The Shape of Water and Edgar Wright's Baby Driver. The Marvel Cinematic Universe offered a touching coming-of-age story in Spider-Man: Homecoming and a surprisingly moving exploration of family dynamics in Guardians of the Galaxy Vol. 2. And, of course, we got a new chapter in the Star Wars saga this month with the release of Rian Johnson's The Last Jedi.

Related: The Best Video Games of 2017

Every year the Screen Rant editorial team collects together our favorite movies of the year - not necessarily the movies we thought were "best," but the ones that made us laugh, made us cry, made us think, and otherwise found a special place in our hearts. You can check out our movie reviews archive for official reviews of all the year's major releases, but these are the Screen Rant editors' top 5 favorite movies of the year (plus a few honorable mentions).

This Page: Rob Keyes, Ben Kendrick, Kevin Yeoman, Sandy Schaefer, Molly Freeman and Chris Agar

Rob Keyes

Wind River (2017)

1. Wind River

2. Life

3. Logan

4. Blade Runner 2049

5. Get Out

Honorable Mentions: Split - Oh boy, what an ending and setup!

With my job increasingly shifting towards the business side of things at CBR and SR, no podcast this year, and a baby in the summer, I've seen less movies and TV than I have in any other year I can recall. I did manage to catch a few of the big hits in the first half but lately, I'm behind and this list I'd imagine will look very different in a few months when I play catch up.

This year the big comic book movies fell out of my top tier, with Hugh Jackman's R-rated final Wolverine adventure being the exception. Thor 3, Guardians 2, Justice League, and Wonder Woman all left too much to be desired and suffer from some all-too-frequent flaws that the major studios need to movie past in 2018. And for Star Wars: The Last Jedi, a movie that has some of the best moments in the entire saga, it also has too many story and character issues that hurt the movie upon each rewatch, and it is certainly one of the most rewatchable flicks of 2017 even if I don't love it.

Ben Kendrick

1. Wonder Woman

2. The Disaster Artist

3. The Shape of Water

4. Get Out

5. IT

Honorable Mentions: Thor: Ragnarok and Justice League (the Zack Snyder scenes)

This year marked the first time, in nearly a decade, that I haven't been responsible for weekly movie reviews at the site - making it the first year in a long time that I experienced the year's best and worst movies as a film fan (instead of someone who would need to articulate my thoughts later on). As a result, my favorite movies of 2017 weren't necessarily the best; they were great films that took risks - risks that paid off. Fresh off scene-stealing action moments in Batman V Superman, Wonder Woman's solo outing delivered where it counted most: heart. The "No Man's Land" scene alone is a layered movie moment that speaks volumes about the character, her journey to the big screen, and what is, often, missing in superhero cinema: bold choices.

Anyone familiar with Screen Rant will recall that I've long championed midnight screenings of The Room - so it should come as no surprise that The Disaster Artist would rank among my favorite films of the year. Nevertheless, it's also a testament to what James Franco accomplished: capture enthusiasm from the critic community, awards circuit, and zany cinephiles who throw spoons at movie theater screens. Rounding out my top 5, The Shape of Water was a deliciously weird but layered piece of filmmaking. Get Out twisted horror tropes and social stereotypes into a memorable tale that was as funny as it was disturbing - and permanently ruined Fruit Loops. Similarly, where remakes, reboots, and reimaginings often fall short, IT succeeded in transcending its predecessor (and source material novel) - not to mention setting the stage for a compelling return with Part 2.

Kevin Yeoman

Mark Renton and Sick Boy in a reflected screen in Trainspotting 2

1. T2 Trainspotting

2. Blade Runner 2049

3. mother!

4. Columbus

5. Good Time

For me, nothing captured the miserable majesty of 2017 quite like Danny Boyle’s unlikely sequel to Trainspotting. Eschewing Irvine Welsh’s own sequel, Porno, Boyle and screenwriter John Hodge turned their follow-up into a recognition of the decades that had passed between now and their landmark 1996 film. Like David Lynch’s Twin Peaks, T2 Trainspotting confronted the aging of its characters and fittingly discovered that second chances don’t guarantee a happy ending. Another sequel that was decades in the making, Blade Runner 2049, left an indelible mark as not only as a follow up that’s far better than it has any right to be, but also as one of the most gorgeous films in recent memory.

Rounding out my top 5 is Darren Aronofsky’s mother!, a film where the experience of viewing it with an audience actively (sometimes angrily) grappling with what they were watching made it a front runner for the year. And finally, video essayist Kogonada delivered his first feature film with the beautiful and melancholy Columbus, while the Safdie brothers turned in such a great, grimy movie with Good Time, I’m actually curious to see their planned 48 Hours remake.

Sandy Schaefer

1. The Shape of Water

2. Star Wars: The Last Jedi

3. Lady Bird

4. Professor Marston and the Wonder Women

5. Get Out

Honorable Mentions: Wonder Woman, Coco, Call Me By Your Name

The past is a difficult thing to manage and some of my favorite movies this year explore the challenges of reconciling with it - be it through one’s personal culture, a country's heritage, or even the legacy of a franchise. Guillermo del Toro’s The Shape of Water, itself steeped in text and subtext alike about the queer experience and cinematic history, goes beyond pastiche (or, if you prefer, Creature from the Black Lagoon meets Amelie) and deconstructs the past through art and politics, as a way of showing how we can become what we were always meant to.

Learning from the failures of those before us is something that Rian Johnson’s The Last Jedi openly champions, in a highly ambitious and entertaining adventure that pushes Star Wars forward while acknowledging its past. So does Greta Gerwig’s Lady Bird, with its charmingly semi-autobiographical reflection on adolescence. In their own ways, Angela Robinson’s Professor Marston and Jordan Peele’s Get Out are also in keeping with this theme. Both films buck genre conventions (biopic/romance and horror/thriller), in order to wrestle with some of history’s greatest failings: the ongoing legacies of professional sexism, sex negativity, and evolving racism.

All in all, in a year as tumultuous as 2017 was, it’s fitting that so many great films were about developing empathy, challenging tradition, and moving beyond nostalgia. That and sex with fish-men, naturally.

Molly Freeman

Coco Movie Miguel Hector

1. Wonder Woman

2. Coco

3. The Shape of Water

4. Call Me By Your Name

5. Star Wars: The Last Jedi

Honorable Mentions: Spider-Man: Homecoming, Get Out

This year, I became one of Screen Rant's movie reviewers and, because of that, I had the chance to see more movies in theaters than the past three years combined. This means I got to see plenty of big-budget fare, as well as smaller independent films. And if my list of top films from 2017 is any indication, I most appreciated new, fresh, and/or innovative stories on the big screen. Warner Bros.' Wonder Woman is the first solo female-led superhero movie to hit theaters in over a decade, and it was a revelatory experience insofar as seeing a multifaceted, strong, vulnerable, and powerful female protagonist on screen. (I went to see the movie again with two female friends at one of Alamo Drafthouse's women-only screenings, which was a similarly empowering, and fun experience.)

Coco, meanwhile, told a story of death and grief through the lens of a family-friendly adventure in an extremely heartwarming way. The Shape of Water and Call Me By Your Name are both romances that are told in fresh ways; Guillermo del Toro's monstrous fairy tale depicts an unconventional connection between two beings set against the backdrop of an era in which conventional was key, while Luca Guadagnino's drama paints a heartbreakingly real portrait of first love between two wonderfully flawed men. Lastly, Rian Johnson's Star Wars: The Last Jedi was a surprisingly different movie set in the galaxy far, far away that got me more excited for the future of Disney and Lucasfilm's partnership (especially Johnson's upcoming trilogy). Plus, Spider-Man: Homecoming offered a new kind of Spider-Man movie, while Get Out was a unique blend of horror and social commentary.

All in all, I'm excited that these films may foretell a shift in Hollywood to more new ideas and innovative storytelling - and that we'll hopefully see even more fresh perspectives in 2018.

Chris Agar

Kylo Ren

1. Star Wars: The Last Jedi

2. Baby Driver

3. Dunkirk

4. The Disaster Artist

5. Get Out

Honorable Mentions: Logan Lucky, John Wick: Chapter 2, Blade Runner 2049, Split

As a lifelong Star Wars fan, I felt The Last Jedi celebrated my favorite franchise's 40th anniversary in grand style with a narrative that was thematically rich, thoroughly entertaining, and emotionally poignant. Building off of The Force Awakens, it delivered on all fronts and I can't wait to see how the story concludes in Episode IX (not to mention Rian Johnson's new trilogy). Speaking of favorites, two of my top directors - Edgar Wright and Christopher Nolan - delivered works that rank among the best in their careers. Dunkirk was a one-of-a-kind cinematic experience that showcased the tension and desperation of war to remarkable effect, while Baby Driver was an all-out blast punctuated by thrilling action sequences, terrific performances, and a killer soundtrack. Both Wright and Nolan remain at the top of their games and I'm ready for whatever they do next.

The Disaster Artist very easily could have been nothing more than a spoof film poking fun at Tommy Wiseau and the various shortcomings of The Room, but it was so much more. I found it to be a heartfelt and inspiring tale of realizing your dreams, with James Franco's transformative performance as the enigmatic Wiseau front and center. He deserves all the awards consideration he's getting. Lastly, Get Out was a true surprise for me this year; one of the finest directorial debuts I've ever seen. Jordan Peele announced himself as a unique voice in Hollywood, serving up biting satire that's accessible to all. Get Out is a rare film that improves upon repeat viewings for me, and I'm looking forward to Peele's next project.

Andrew Dyce

1. Blade Runner 2049

2. Wonder Woman

3. Get Out

4. Bright

5. Valerian and the City of a Thousand Planets

Honorable Mentions: Split, Dunkirk, Spider-Man: Homecoming, Logan

In a year where some of my biggest disappointments in the theater came from the most surprising places, the high points caught by by surprise just as often - but not for the reasons I expected. Blade Runner 2049 seemed to promise a continuation of Ridley Scott's original film, even some form of closure. What it gave instead was one of the biggest, boldest, most captivating and enigmatic experiences in recent memory. All while capturing the lingering uncertainty and grandeur of the original (making it one of the "truest" sequels I've likely ever seen).

Forgetting that there was a time when people said Wonder Woman movies wouldn't work, Patty Jenkins and Gal Gadot showed the truth was anything but. The Amazons of the DCEU were everything they needed to be and, even on repeat viewings, it's the small details and moments that I keep coming back to. Rather than biting, darkly comedic satire, Jordan Peele's Get Out was as effective a horror film as I've seen in a packed theater. I had hoped that David Ayer's Bright would offer a surreal mix of Training DayEnd of Watch, and Warcraft fantasy, and was thrilled to find it was exactly that, led by one of Joel Edgerton's best performances (an Orc I only wanted to be friends with). And round it off with Valerian, a film that stumbled in parts it shouldn't have, but delivered enough mindblowing concepts to fill a year of science fiction and fantasy filmmaking (and put every dollar of the budget on the screen).

Small wonders along the way were just as rewarding, like M. Night Shyamalan's Split, which would have been astounding were it not already obvious James McAvoy is one of the best actors of his generation. Christopher Nolan finding a new way to make a war film with Dunkirk. A Spider-Man movie that didn't need any MCU connections to charm and delight me. And Logan, James Mangold's heartbreaking but brilliant decision to finally let Hugh Jackman and Patrick Stewart spend an entire X-Men movie just acting at eachother.

Hannah Shaw-Williams

Elio and Oliver shake hands In Call Me By Your Name

1. Call Me By Your Name

2. Free Fire

3. Atomic Blonde

4. Split

5. Thor: Ragnarok

Honorable Mentions: Mudbound, Blade Runner 2049, Get Out

In 2017 I broke a personal record for the most number of times I've seen the same movie in theaters, as Luca Guadagnino's Call Me By Your Name knocked Batman V Superman: Dawn of Justice off the top spot (you don't see those two movies in the same sentence very often). There aren't many films that I can honestly described as life-changing, but Call Me By Your Name cuts to the heart of how beautiful and painful first love can be, telling a profoundly universal story against the gorgeous backdrop of Northern Italy.

Armie Hammer crops up again on my list in Free Fire, the latest delightfully insane offering from one of my favorite directors, Ben Wheatley (whose adaptation of J.G. Ballard's High-Rise was featured on last year's list). David Leitch's Atomic Blonde hit all the right spots with its combination of fantastic action choreography, a perfect soundtrack and score and - of course - Charlize Theron at her very best. Theron's Atomic Blonde co-star James McAvoy also starred in the latest chapter of the M. Night Shyamalan comeback tour, Split, which combined high tension and body horror to great effect.

And finally, Thor: Ragnarok played "Immigrant Song" twice, so obviously that has to be on the list.

Alex Leadbeater

1. Blade Runner 2049

2. Star Wars: The Last Jedi

3. A Ghost Story

4. La La Land

5. Baby Driver

Honorable Mentions: Dunkirk, Brawl in Cell Block 99, Three Billboards Outside Ebbing, Missouri, The Florida Project, mother!, The Shape of Water, War for the Planet of the Apes, Logan, The Disaster Artist, Good Time, Lady Bird, Molly's Game, Wind River, Get Out, and, finally, Alien: Covenant (because it's awesome, shut up).

2017 was a bloody brilliant year for movies, and anybody who tells you otherwise didn't see enough of them. We got stinkers, sure (I'm still recovering from how bad Henry Cavill's mustache cover-up job was in Justice League), but for the most part it was a step up from 2016, especially tentpoles (indies have been on form for years) - more middling instead of bad, more good instead of average, and a few genuine greats. In terms of what I loved on a macro/themeatic scale, I really gravitated to movies with a strong Biblical metaphorical underpinning (my #1 film is that, as are no less than three of the honorable mentions) and meta-textual approach to the past (#2, #4 and another handful of the HMs), but the general breadth is staggering.

When it comes to picking my favorites, it's hard living in the UK working for a Canadian company operating on US releases - what comes out in what year? Well, for this list I'm eschewing Screen Rant convention and going by UK releases because it's how I consume cinema and I like this list better (although I put some of the US 2017/UK 2018 films I have seen in my HMs because it'd be rude to leave them off).

So: Blade Runner 2049 is the perfect sequel to my favorite sci-fi of all time that deconstructs the monomyth); Star Wars: The Last Jedi justifies Disney's ownership of and evolved my favorite franchise (and also deconstructed the monomyth); A Ghost Story is a visual art piece that provided cinematic voice to my existential fears; La La Land spoke to the melancholic romantic within me; and Baby Driver was the most purely exhilarated I've been in the cinema for years. But the real joy is such a massive set of honourable mentions - they're all worth your time.

Stephen Colbert

1. Star Wars: The Last Jedi

2. Baby Driver

3. Logan

4. Dunkirk

5. mother!

Honorable mention: Blade Runner 2049, Wonder Woman, Get Out, Split, John Wick: Chapter 2, War for the Planet of the Apes, The Disaster Artist, and Wheelman

If I had been told last year that The Last Jedi would be my top movie of 2017, I wouldn't have been surprised. If I had been told the same thing immediately after my first viewing, I would have been shocked. Upon rewatch, it's apparent that Rian Johnson is a master at playing with expectations, keeping the audience chasing false leads, much like the characters in the movie, despite putting all the clues right in front of your face. The Last Jedi isn't just a rewatchable movie, but every rewatch can be different, revealing more missed details or unearthing a new dramatic angle that wasn't apparent the other times through. It's hard to know where it will land long term, but for the time being, it's the gift that keeps on giving.

Otherwise, 2017 was full of a variety of unique, eclectic, and mold-breaking movies. Whether it's the fun ride that is Baby Driver, the grueling conclusion to Hugh Jackman's turn as Wolverine in Logan, Christopher Nolan proving you don't need 3 hours or an R rating to make one of the most gripping war movies ever, or Darren Aronofsky crafting a one-of-a-kind polarizing experience of a movie like mother!, which may have successfully made me feel a range of emotions from laughter to anxiety to dread to horror to sadness in just a few minutes span - more than once.

The list of great movies I missed this year seems to be far longer than the list of great movies I saw, but if there's any evidence that 2017 was great for film, its the fact that I'm entering 2018 with a list of well regarded 2017 movies that still need watching.

Patrick "Nickname" Sklar

Zoe Kazan and Kumail Nanjiani in The Big Sick

1. The Big Sick

2. Lady Bird

3. Logan

4. Wonder Woman

5. Star Wars: The Last Jedi

Honorable Mentions: Call Me By Your Name; Thor Ragnarok; Colossal; Okja; the music video for “Road Head;” Get Out; Baby Driver; John Wick 2

I shouldn’t need to make a special case for The Big Sick being my favourite movie of the year; it is, really, a very good movie, and it feels very good to watch, and everyone in it is wonderful. But mostly I put The Big Sick in as my favourite because it got me writing again, and for the first time in a while, writing something honest. So I wrote a little true thing, and I’m grateful.

Lady Bird and Logan both made me cry - might have been the only movies this year to do so, oddly enough. When Julie rotates the X over Lady Bird’s grave so that it’s a cross again? Man, oh man - you see it coming from a mile away, but it still hits you every time. Wonder Woman is Wonder Woman. Star Wars is surprising. My appreciation of the movie has increased so dramatically from viewing to viewing - I'm a little bit scared to watch it a third time now.

And whether I ever rewatch the whole movie or not, I’ll be replaying Mr. Perlman’s monologue from Call Me By Your Name for a long time to come.

Movies I Expect I’ll End Up Liking As Soon As I Get Around To Them: Free Fire; Raw; Atomic Blonde

Best Movie I Just Nodded At When People Talked About It But Now I’ve Finally Seen: Ex Machina

Favorite Movie I Only Just Saw This Year, I Know, I Know: Close Encounters Of The Third Kind

Movie That Would Have Been On My List Last Year If I Hadn’t Been So Lazy: Arrival

Corey Hutchinson

1. Wonder Woman

2. Thor: Ragnarok

3. Logan

4. The Disaster Artist

5. LEGO Batman

Honorable Mentions: Get Out, The Last Jedi, IT, Split, War for the Planet of the Apes, Free Fire

If you couldn’t tell, I was pretty overwhelmed by the sheer awesomeness of 2017’s superhero movies. It honestly might’ve been the best twelve months the genre’s ever seen. In my eyes, the best of the best was Wonder Woman. The DCEU has been pretty disappointing for me thus far, with Man of Steel being the only entry that doesn’t fill me with anger, so Wonder Woman came as both a huge relief and a major surprise. I sat there the entire time thinking, ‘This is what superhero movies should be.’ And yes, I will overlook whatever shoddy excuse Patty Jenkins and co. come up with to get Chris Pine into the sequel. More of him and Gal Gadot on screen, please and thank you.

LEGO Batman was tremendous. Getting to watch every absurd aspect of my favorite superhero play out on the big screen, even in Lego form, was an absolute joy for me. Thor: Ragnarok was probably the most fun I had at the movie theater this year, and Logan was the first superhero movie ever to make me cry. That’s gotta count for something.

The lone non-superhero flick of the bunch, The Disaster Artist, was just wonderful. And if you disagree, well, you don’t understand anything, man. Leave your STUPID comments in your pocket!

Emily Manuel

Anne Hathaway in Colossal

1. Wonder Woman

2. Call Me By Your Name

3. Colossal

4. Get Out

5. Raw

Nothing I saw in 2017 came close to the overwhelming experience of watching Wonder Woman cross No Man’s Land that first time. I’ve felt an echo of that in each of my rewatches and in my many conversations with other women who had the same experience as I did - and I’ve carried that feeling with me every day since. Wonder Woman is a genuinely revolutionary film that is also a straightforward crowd-pleaser - a much-needed beacon of light in a dark year.

Also infused with light was Call Me By Your Name, a sun-drenched, wildly romantic adaptation of a book that changed my life years ago. Few films are as lushly, overtly warm as this one - or as perfectly executed.

Colossal and Get Out, on the other hand, are darkly funny satires that were deeply unsettling for how real they felt. No two films scared me more this year - and that’s including Raw, a gruesome French horror that turns Colossal’s light “monstrous woman” touch into a backhand across the face. Julia Ducournau’s debut feature is shockingly assured - visually, narratively, and in its vicious lead’s breakout performance.

This year, the rotten pit at the center of Hollywood’s ruling class was exposed like never before, and the movies I loved most make it abundantly clear that old boys’ club of cinema is creatively - and hopefully soon, functionally - obsolete.

Jen Hughes

1. Lady Bird

2. Disaster Artist

3. Blade Runner 2049

4. Thor: Ragnarok

5. Okja

Honorable mentions: Call Me By Your Name, Wonder WomanStar Wars: The Last Jedi, Logan

Where to begin? This past year brought a wide array of amazing and breathtaking movies. For each comedy, there was a tear-jerker, and for each thriller, there was an action-packed rollercoaster. Greta Gerwig's Lady Bird was as emotional as it was relatable, speaking volumes about the hardships of growing up in a dysfunctional family. Not only did it follow a conflicted teen's journey through high school, but it also added in the perspective of her equally troubled parents and the real-world hardships that they faced while trying to raise their unique children.

Along with the fantastic Lady Bird, James Franco's outstanding Disaster Artist and Denis Villeneuve's boundary-pushing Blade Runner 2049 specifically stood out to me. They were both unique and fantastic, one explaining the story of the infamous Tommy Wiseau and the other telling the tale of a lost, confused replicant who just wanted to find his place in the world of man.

However, they were not the only great movies of 2017. It's hard to narrow down the best of the best (and I must admit that there are many I still need to watch, including Three Billboards Outside Ebbing, Missouri, Shape of Water, and T2 Trainspotting), but there are certainly some that shine brighter than the rest.

Adamo Brunetti

1. Three Billboards Outside Ebbing, Missouri

2. Logan

3. Star Wars: The Last Jedi

4. Blade Runner 2049

5. Dunkirk

Honorable Mentions: Wonder Woman, The Disaster Artist, It, Thor: Ragnarok, Kong: Skull Island

Three Billboards Outside Ebbing, Missouri is a movie that I was not expecting to love as much as I did. While the entire cast is great, Frances McDormand and Sam Rockwell are truly exceptional. The characters felt like real people, who had long and complicated histories with each other. The dark comedy worked wonderfully for me and I wanted to watch it again as soon as it was over. Logan was another movie that I didn't think they would be able to pull off properly, but here it is second on my list. Hugh Jackman and Patrick Stewart gave two of the best performances of the year, and that's without even mentioning the wonderful Dafne Keen as X-23. It was the perfect send-off for the X-Men films we grew up with and it's great that Fox was able to get it made before Disney gobbled them up.

Star Wars: The Last Jedi was the first movie on this list that I went in to expecting to love and my god, did it deliver. I never expected Lucasfilm to give a director this much creative freedom after J.J. Abrams' fun, but safe, The Force Awakens. This is without a doubt Rian Johnson's movie and I couldn't be happier with it. Keeping on track with movies that felt like a singular vision, both Blade Runner 2049 and Dunkirk could not have been made by anyone else but Denis Villeneuve and Christopher Nolan, respectively. It'll be a toss up at the Oscars between these two movies for the technical awards, as they both had some of the best cinematography, sound design, special effects, and production design of the year.

Michael Kennedy

Pennywise in IT standing in front of windows

1. IT

2. Get Out

3. Thor: Ragnarok

4. John Wick: Chapter 2

5. Gerald's Game

Honorable Mentions: Spider-Man: Homecoming, Wonder Woman, Guardians of the Galaxy Vol. 2, Cult of Chucky

IT is my personal favorite novel of all time, so it's no surprise that director Andy Muschietti's knockout adaptation of the Losers' Club's battle with Pennywise proved to be my favorite film of 2017. IT isn't a perfect film, but its few flaws never came close to overshadowing just how well characters like Richie, Ben, and Beverly were realized. Bill Skarsgard also succeeded beyond my wildest dreams as Pennywise, and I can't wait to see more of him in 2019.

Jordan Peele's Get Out was my clear favorite film of the year up until IT came out, and remains one of the most compelling and provocative horror stories to be told onscreen this decade. While the MCU has yet to produce an entry I truly hate - and neither has the DCEU for the record - Thor: Ragnarok might just win the prize for most fun film in the franchise. As much as I loved Keanu Reeves' return to action form in John Wick, Chapter 2 outright blew me away, serving up one of the most exhilarating thrill rides I've ever seen in a theater, and making me long for Chapter 3. Rounding out the list is Netflix's Gerald's Game, a near-perfect adaptation of a Stephen King book that was once thought unfilmable. Mike Flanagan remains a director to watch.

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Those were our favorite movies of 2017 - now tell us yours in the comments!

Next: Screen Rant’s Top 5 Favorite Movies of 2016