Before his work on the award-winning psychological thriller, Joker, filmmaker Todd Phillips was known most for the famed Hangover Trilogy along with the cult college comedy Old School. While he's dabbled in documentaries and more serious dramas, his work namely consists of uniquely clever, off-kilter comedic films. From his contribution to the story of Borat to the breakout hit The Hangover, the Brooklyn-born filmmaker has quickly made a name for himself in comedic movies.
Still, as shown by the recent success of the dark, nuanced origin story of the Joker, he's proven he can thrive artistically beyond raunchy, over-the-top comedies. With this list, we'll take a look at his top 10 rated films thus far, according to IMDb.
All The King's Men (6.2)
Phillips stands as one of a number of producers in 2006's All the King's Men. This political drama based on the 1946 novel of the same name follows Jack Burden, a news reporter from Louisiana, as he meets a lawyer of humble origins and gets him to run for governor. The governor-to-be, Willie Stark, is supported by Burden as he travels with him during his campaign as a reporter.
Politically-tinged drama, strife, and corruption ensue, as we follow the rise of this Southern politician, who's loosely based on the real Louisiana governor circa 1928-1932, Huey Long. This period piece of historical fiction is played out fairly authentically, though it's been criticized for its somewhat dull premise and muddled storytelling.
Road Trip (6.4)
This 2000 romp has been described as a "road sex comedy film," and that's essentially the best way to sum it up. You've got juvenile gags and a simple plot revolving around a road trip to reunite the protagonist with his high school sweetheart. There are some humorous moments here, largely thanks to performances by American Pie's Seann William Scott and the zany Tom Green. Yet, it tends to fall flat for even much of its teenage audience.
At the very least, Road Trip is an amusing demonstration as to how far Phillips has come two decades later.
The Hangover Part II (6.4)
They say "if it ain't broke, don't fix it," but perhaps Todd Phillips and Daniel Goldberg stuck to this notion a bit too closely with this 2011 follow-up to the hit comedy, The Hangover.
While fans of the original film could enjoy many of the same colorful characters and even more chaotic action and antics, it was panned by some for adhering to a similar formula.
Friends hang out to celebrate a major event, they party a bit too hard, drugs and drink lead to ensuing chaos and forgotten events - and Alan acts goofy. The film seems to dial up the absurdity even more than its predecessor to ring some laughter from viewers. While it succeeds at times, it managed to fall flat and feel desperate at times for a number of Hangover fans.
Due Date (6.5)
Todd Phillips is known for his particularly zany comedies involving a series of escalating shenanigans. This is certainly the case with 2010's Due Date. This film hones in on the unlikely duo of stern architect Peter (Robert Downey Jr.) and the eccentric Ethan played by Zack Galifianakis. Due Date revolves around the monkeyshines these two get into as Peter attempts to fly home to his wife in time for the birth of their child.
It's received some criticism for being a bit too similar to the '87 comedy Planes, Trains and Automobiles, as well as Ethan's wacky demeanor being reminiscent of his actor's character in The Hangover. Still, there are plenty of the funny, over-the-top gags you'd expect from Phillips and Galifianakis, along with some endearing moments.
Project X (6.6)
The insane, action-laced comedy seems to be a trend of late, and this is a style that Phillips tends to thrive with. Project X from 2012 definitely goes full-throttle, using a unique "found footage" production method to further add to the chaos. The premise begins on a rather basic note - a couple of high school students plan on throwing the craziest, most thrilling party possible.
The films garnered mixed reviews as a whole, with many being repelled by the "loathsome" and occasionally misogynistic behavior of the lead characters. Other critics have viewed it in a better light, comparing it to a more modern rendition of the '78 classic Animal House.
War Dogs (7.1)
Given that Phillips had worked on documentaries like Bittersweet Motel in addition to comedies, he would seem to be a good fit for this biographical dark comedy, War Dogs. This '16 crime film, co-produced by Bradley Cooper, follows 2 arms dealers, played convincingly by Jonah Hill and Miles Teller, who earn a contract to supply munitions to the Afghan National Army.
While creative liberties are taken here, this tale is loosely based on a Rolling Stone article and a memoir from the actual arms dealer from which the film is based. While the film earned mixed reviews, it did land Jonah Hill a Golden Globe and further showcased Phillips' versatility.
Old School (7.1)
Similar to Project X, many have likened this wacky comedy to a 2000's version of Animal House, as it follows the goofy antics of a wannabe college fraternity. The premise seems tired, though it's heightened by seasoned comedic actors like Will Ferrell, Vince Vaughn, and Luke Wilson, who inject plenty of character and humorous charm.
While it has its silly moments and cliches, Old School veers into unorthodox territory and brings a slew of funny gags that make it a worthwhile watch. It balances juvenile humor with more nuanced character drama, making for a unique, memorable comedy.
A Star Is Born (7.7)
As further proof that Bradley Cooper possesses filmmaking chops along with acting, this romantic musical drama sees him in the director's chair, with Todd Phillips, along with other figures, taking on production duties.
Lady Gaga also demonstrates multiple talents in her role as Ally Maine, a singer-songwriter discovered by a musician, Jack, who's struggling with substance abuse. This '18 remake of the decades-old film and musical retains much of the same heartwarming spirit while giving it some modern theatrical flair. The film was a hit for Phillips and Cooper, as it grossed over $436 million worldwide and received a slew of accolades.
The Hangover (7.7)
There are a ton of comedy films that are both achingly funny while also having bouts of thrilling action, fun settings, and amusing twists. 2009's The Hangover managed to stand out for these reasons, making Phillips a major player with its worldwide gross of over $467 million.
You truly have the recipe for comedic success with this one - from the lavish Vegas settings to the colorful cast and memorable zingers. And of course, you also have a slew of crazy, action-laced antics involving run-ins with cops, gangs, tigers, and Mike Tyson. Zack Galifianakis brings his distinct, memorable brand of zany comedy, as do Ed Helms and Bradley Cooper, who shine with some solid chemistry.
This buddy comedy reminds us that while Vegas (and booze) may have its finer points, it could lead to some unfavorable, potentially crazy circumstances.
Joker (8.6)
The late Heath Ledger brought a creepy, intense dynamic to the role of the famed Batman villain in 2008's The Dark Knight. Joaquin Phoenix, who secured the Oscar for best actor this year, brings his own brand of emotional depth and eeriness to the character with this Phillips-made origin story.
Indeed, much of the strength of this acclaimed drama resides in the convincing, unsettling performance of Phoenix, who conveys an isolated outcast spiraling down the path of madness. Critics and fans alike also regarded Joker for its authentic cinematography and rich original soundtrack - the latter of which also earned an Oscar.
Unlike Marvel's brand of comic book flicks that stress flashiness, Joker thrives more on its character depth, social commentary, and its portrayal of mental illness.