Tilda Swinton is one of the most uniquely talented actresses working in and out of Hollywood. The English-born actress, who won an Oscar for her supporting turn in the 2007 legal drama Michael Clayton, is one of the most chameleonic talents in the industry. The characters she's played are just as eclectic as the filmmakers she's worked with over the decades, making her one of the most exciting actresses to watch.

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Swinton also has fantastic taste in the movies she chooses to partake in. The majority of Swinton's films are certified fresh, including more than a dozen films with a 90% rating or better. As Swinton preps for The French Dispatch to come out this summer, let's check out Swinton's ten best movies, according to Rotten Tomatoes below!

Michael Clayton (91%)

Swinton is batting 1,000% in the Oscar category, as she won the only award she's been nominated for during her illustrious career. If you can sense a running theme, it's that Tilda favors quality over quantity!

In perhaps one of her most staid and conservative roles to date, itself quite a challenge for such a wild spirit like Swinton, Tilda plays a conniving lawyer whose dastardly ploys threaten to undermine Michael Clayton (George Clooney), super-fixer extraordinaire. However, her character gets what she deserves in the end (so did Tilda with the Oscar).

The Grand Budapest Hotel (91%)

tilda swinton as madame d

Swinton marked her first collaboration with quirky auteur Wes Anderson in Moonrise Kingdom in 2012. Two years later, she was given an even larger role in Anderson's award-winning follow-up, The Grand Budapest Hotel.

With Academy Award wins for Best Costume, Makeup, Production Design, and Original Score, the film follows the eccentric concierge, Gustav H (Ralph Fiennes) at a fictitious European hotel during wartime. Swinton plays Madame D., the rich socialite who entrusts the valuable Renaissance painting to the care of Gustav before it gets stolen.

Moonrise Kingdom (93%)

Speaking of Moonrise Kingdom, the wistfully romantic tale of adolescent love is both the first Swinton-Anderson collaboration, as well as the highest-rated according to RT!

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The plot kicks into gear when two young lovers, Sam (Jared Gilman) and Suzy (Kara Hayward), elope to a hidden spot in the woods near New England. As the concerned parents of both parties scramble to find the kids before something grave occurs, the lasting bond between Sam and Suzy grows stronger than ever. Not even Swinton's character from Child Services can compete!

Avengers: End Game (94%)

In the one-for-me, one-for-them formula of a true thespian, Swinton moves from one small indie outing to a major blockbuster with ease. Her work as The Ancient One in Avengers: Endgame is a perfect example of such!

The mega Marvel movie broke all sorts of records when it blasted theaters in the spring of 2019. The saga-wrapping finale raised the stakes like no other Avengers movie. Major characters died, others were promoted, with sweeping changes underpinning the entire MCU. Hopefully, Swinton returns for a Doctor Strange sequel!

The Personal History Of David Copperfield (95%)

Although it's still a few months from being released, 60 critical reviews have propped up The Personal History of David Copperfield with a sterling 95% rating. It must be the Swinton effect!

Due this May, the film is adapted from the classic Charles Dickinson novel. Veep creator Armando Iannucci directs the rags-to-riches story about a young man coming of age in Suffolk, England following the death of his father. Swinton headlines a British cast alongside Dev Patel as Copperfield.

Snowpiercer (95%)

Judging by their two consecutive collaborations in Snowpiercer and Okja, Swinton seems to be South Korean director Bong Joon Ho's newest muse. Can you blame the man?

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Now circling the globe on the small screen via TNT, Snowpiercer imagines a world ravaged by a global cataclysm. With the climate too cold to bear, the Earth's population has been consigned to a globe-circling locomotive. A caste system develops among the train, sectioning poor citizens in the squalid back-end while the rich and powerful enjoy first-class amenities upfront.

Deep Water (96%)

With a calming, almost deistic voice, Swinton has narrated two films that rank among her top four movies, according to RT. The first of the two is the 2006 documentary Deep Water.

Directed by Louise Osmond and Jerry Rothwell, the movie charts the calamitous round-the-world yachting competition of 1968. Much of the drama concerns stevedore Donald Crowhurst, who braved the elements, harsh conditions, and an incomplete vessel on his solo quest to sail around the world.

War Requiem (100%)

In perhaps an unprecedented feat, Tilda's top three films according to RT all boast a perfect 100% rating. Not even a War Requiem can tarnish Swinton's record!

Written and directed by English auteur Derek Jarman, the challenging experimental film operates without a single line of dialogue. The avant-garde outing is set to Benjamin Britten's War Requiem, as it aims to visually reflect the horrors of WWI. Swinton plays The Nurse, a key figure in the life of injured soldiers on the battlefield.

Edward II (100%)

In her second time working with Derek Jarman, Swinton was awarded the role of Princess Isabella in the elegant period-drama Edward II.

Tagged with the marketing line "a tale of sex, revenge, and love," the movie tracks the romantic exploits of King Edward II (Steven Waddington). Rather than courting the young French princess Isabella as planned, the King instead opts to pursue his homosexual feelings for the courtly Piers Gaveston (Andrew Tiernan). The drama leads to an explosive and unpredictable conclusion.

Blue (100%)

Are you sensing a trend among these Swinton/Jarman joint-efforts? Once again, not a single dissenting voice among the critical mass has raised regarding the experimental 1993 release of Blue!

The unconventional film bucks narrative altogether. Set against the expanse of a blue screen, the movie bombards the viewer with sounds of music, voices, special FX and the like. Swinton narrates the piece, adding a soothing quality to the exploration of Jarman's experience having AIDS. Moving, cathartic, and wholly original!

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