Spider-Man No Way Home Soundtrack Guide: Every Song

Warning! Spoilers ahead for Spider-Man: No Way Home

The soundtrack for Spider-Man: No Way Home is filled with plenty of fitting pop songs as well as iconic legacy tracks from past Spider-Man films. From the very start of the third film in the Homecoming trilogy, the music goes hand in hand with the dynamic multiversal adventure Peter Parker, Doctor Strange, and more of the Webslinger's allies embark on. Featuring classic themes Spider-Man fans know and love, the beloved themes are interspersed throughout the film as their own musical Easter eggs.

In addition to the original score composed by Michael Giacchino, Spider-Man: No Way Home features a wide variety of legacy themes due to the film's antagonists being villains from the Tobey Maguire and Andrew Garfield Spider-Man films such as Doc Ock, Green Goblin, Electro, and more. As such, several of the villains make their debuts while being accompanied by their original musical themes. The unique and heroic themes that were attached to Maguire and Garfield can be heard as well when they also arrive in the MCU to give Tom Holland's Peter Parker a hand.

Featuring songs from the likes of Talking Heads, Beastie Boys, De La Soul, and more, Spider-Man: No Way Home features a wide variety of tracks, many of which carry significant meaning behind them in the greater context of the film's narrative and characters. Here's No Way Home's full soundtrack list and where each song plays in the movie.

"I Zimbra" by Talking Heads- "I Zimbra" is one of the first tracks, playing while Peter Parker and MJ try to escape the crowds of Times Square after Mysterio and the Daily Bugle revealed Peter's identity as Spider-Man to the public.

"Scraper" by Liquid Liquid- "Scraper" plays during Peter's first day back at school, seeing him and his friends surrounded by students with cameras filming him alongside several reporters.

"No Sleep till Brooklyn" by The Beastie Boys- "No Sleep" is actually sung by Flash Thompson who changes "Brooklyn" to "Boston" when he gets accepted into MIT, not knowing that Peter, MJ, and Ned didn't get in thanks to Peter being Spider-Man and the ongoing controversy.

"Flashpoint" by Eugene Thompson- While it seems as though this song was cut from the film's theatrical release, "Flashpoint" is listed as being written by director John Watts and sung by Flash "Eugene" Thompson himself. Seeing as how "Flashpoint" is also the name of Thompson's embellished memoir and "Flashdrv" was the DJ mix he played at Liz's party in the first Spider-Man film (also written by Watts), it's likely that Flash may have been a DJ at the MIT mixer in a deleted scene.

"Theme From Doctor Strange" by Michael Giacchino- "Theme From Doctor Strange" plays when Tom Holland's Peter Parker seeks Doctor Strange's help in the Sanctum Sanctorum.

"Concerto for 2 Violins in G Major, RV 516: II. Andante (molto)" by Antonio Vivaldi, Béla Bánfalvi, Zsuzsa Nemeth, Budapest Strings- "Concerto for 2 Violins" plays during the MIT mixer Flash is attending when Peter calls him on the phone for his help.

"Doc Ock Is Born"/"Enter The Goblin"/"Spider-Man Main Theme" by Danny Elfman- All coming from the original Spider-Man trilogy directed by Sam Raimi, these themes are featured multiple times attached to the respective appearances of Alfred Molina's Doc Ock, Willem Dafoe's Green Goblin, and Tobey Maguire's return as the original live-action Spider-Man at the end of the film's second act.

"I'm Electro" by Hans Zimmer, Tom Holkenborg, Andrew Kawczynski, Johnny Marr, Dave Stewart, Melissa Mulk, Robert Badami, and Mark Wherry- "I'm Electro" brings back the theme for Jaime Foxx's villain from Amazing Spider-Man 2, played during Electro's debut in the MCU.

"Deck the Halls" by Thomas Oliphant- "Deck The Halls" plays when Spider-Man and Doctor Strange are fighting in the Mirror Dimension as Peter swings through a mall.

"Main Title- Young Peter" by James Horner - "Main Title- Young Peter" is the main theme for Andrew Garfield's Amazing Spider-Man and can be heard multiple times when he also shows up to help the MCU's Spider-Man (particularly when he speaks with Electro after the Statue of Liberty battle).

"The Magic Number" by De La Soul- "The Magic Number" plays during the credits for No Way Home, a film that proves 3 is definitely a magic number when it comes to Spider-Men.

"Bailando Cumbia" by Danny Osuna- "Bailando" is the music playing during Spider-Man: No Way Home's post-credits scene where Venom gets an MCU crash course from his bartender before being sent back home.

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