The 4th season series finale of Prison Break ended it’s dying ratings existence in its Friday night slot.
This final season trudged along while everybody was chasing Scylla. The General wanted it, Christina Scofield wanted it. China wanted it. India wanted. Hell, who didn’t want it? I wanted it so I can find some dirt to write about.
I tried to break this down in a chronological order, but my new novel adaptation of Fox’s Prison Break was getting way too long. The closing story became too convoluted with twists, turns and the reappearance of old characters that I felt that maybe I just needed to draw on my emotions about the finale and not try to detail out the episode. We all say it. Right?
There are some SPOILERS included in one way or another, so you have been warned.
The brothers Michael (Wentworth Miller) and Lincoln (Dominic Purcell) went through a lot through the entire show: from Michael allowing himself to be incarcerated to help free his brother Lincoln for a crime he didn’t commit, to the endless manipulations they were put through to achieve their one true goal: freedom.
General Jonathan Krantz (Leon Russom) was the man who was in control until Michael undermined his entire infrastructure by snagging different parts of Scylla from his control. The General’s only leverage on people was to have his operatives put everyone’s families and friends under the gun. Literally. In the end, his electrical reward was the perfect gift for all his deeds.
Christina Scofield (Kathleen Quinlan) was nasty. The mother of Lincoln Burroughs and Michael Scofield, she was the nasty nail in everything. She was a true “Company” operative that did what was necessary to get her job or goals done. She even gave up her kids to affect her end game. When all was said and done, her demise at the hands of Sara Tanchredi (Sarah Wayne Callies) was perfect.
Theodore “T-Bag” Bagwell (Robert Knepper) was the tragic Shakespearean character in this show. Evil by impulse, he had gotten a taste of legitimate work and loved it. An honest job was one of the lures that the General used to manipulate him into doing his bidding.
Yet T-Bag had a keen analytical mind that was wasted on crime. In the end, the General’s biddings seemed to push T-Bag back to his core mode of murdering and “other” things. Knepper made T-Bag incredibly believable and I couldn’t decide to like, hate or feel sorry for him. In the end, his compulsive nature to take the easier path of crime landed him back where this all began, in a prison with some poor fool hanging on to his pocket linen.
Alexander Mahone (William Fichtner) was a catalyst of action when he had sufficient inspiration. I really enjoyed Fichtner’s portrayal of the character. In fact I like most of what William Fichtner does. He proves that men with receding hairlines can get the job done! Though he was forced to become allies with Scofield, things were worked out in the end for him.
Donald Self (Michael Rapaport) was the fed who promised immunity and gave the escapees blank paper for their work. Who then found himself manipulated back into the fold to be part of this ragtag team of non-criminals (mostly) committing criminal deeds. In the end, he was getting what he deserved as he found himself in a hospital.
Rappaport made us believe that Self was there to help, until he turned on the brothers. Then we didn’t know what to think about his loyalties until I decided that Self was loyal to no one but his own end game. In the end when he was put in a corner so to speak, his written defiance to the feds showed his loyalties finally cemented in with the gang and I’m mixed on his ending. In some ways he deserved it for all his manipulations. Then again, who deserves that kind of vegetative state?
Honorable mention though she wasn’t in the finale:
Jodi Lyn O’Keefe as Gretchen Morgan. I can’t remember a time when a character was done so well. O’Keefe played Gretchen so well that A: I hated every scene she was in. B: Every scene she wasn’t in, I was hoping the scene was producing some end-game to Gretchen’s demise. Yea, it was that bad. A kudos to the actress for scarring me for life.
The Finale Of Twists
Everyone had either been kidnapped or had someone they knew kidnapped or was going to be kidnapped. The other angle that kept coming at me was that every 30 minutes or so, someone else had a gun to Michael’s head. And everyone was tricking everyone. At least Michael had dissected that damn Scylla.
All the on-the-sly maneuverings that went on allowed some old faces and other government entities to show up and finally get the upper hand.
There were a few fresh faces of old in the mix. Fernando Sucre (Amaury Nolasco) and Benjamin Miles “C-Note” Franklin (Rockmond Dunbar). Sucre and C-Note show up as C-Note has a way for everyone to get himself or herself out of this endless spiral of legal trouble they keep finding themselves in and they work their way toward finding Michael and Lincoln.
And suddenly there’s Paul Kellerman, (Paul Adelstein) offering a legal way out of this whole debacle, as it seems he’s backed by the United Nations. Man, everyone was in on this.
In the end, Kellerman had the power to exonerate everyone. Sucre keeps the pen he used to sign his freedom. Everyone bids farewell. Everyone’s loved ones are safe.
The End Let A Steam Out Of My Bag
As everyone is settling into normalcy, Michael’s nose starts to bleed again. You’ve got to be kidding me. Then we jump to four years later and Michael is dead.
It’s four years later and we watch Sara and Michael Jr. gather together with Sucre, Mahone and Lincoln to pay a remembrance visit to Michael’s grave. Lincoln leaves the ever-iconic origami crane on top of the tombstone.
My Quick Take
This finale had to pack a lot into two hours.
Quick nit: Did you notice the Verizon commercial showing off their streaming video in the first hour? They were showing scenes that weren’t going to happen for another 45 minutes? Just brilliant.
I think the show took a ton of extra turns and twists and steps to get where they were in the finale.
It felt like the writers never had an end game, but they let the writing take them wherever it did. That works for some, but then in the end, it feels like writers are scrambling to account for things they hadn’t fully explored or finalized.
Even though I enjoyed watching the finale, there were so many different twists and turns in it that it got old for me. At one point, we were just waiting for the close. It felt like an over-hyped James Bond action flick. Sometimes there’s so much action that it is no longer exciting to see yet one more explosion. Whoopee.
Michael’s death almost seemed to suck the emotion out of me. It distracted from the entire journey of these four years. It disappointed me that after all that work and effort, his only real reward was his own death. Does that mean he’s truly escaped and is free now? I don’t know.
I was hanging out on Twitter before and during the show and Twitter was aflame with frustration and anger toward the ending. It seemed anti-climatic after all was said and done.
For me, the image I can’t get out of my head, when all is said and done, is Lincoln putting the origami crane on Michael’s tombstone. For me, that sad and touching scene will probably be my memory of this whole series.
At least my emotions were invoked one last time and they managed to engage my imaginative depression one last time before closing credits.
I thought the first two years were fantastic.
After that, I know that Fox wanted to keep a ratings winner in their pocket, but the stretching of the feasibility started after the gang got manipulated into helping Self and then everyone else and their mother (literally) after that. If I stick to the first two years, I say fantastic. The third year, well, yea, OK, it was still good. But then this last season I was on-board solely out of sheer loyalty. Loyalty and the hope for a great end game kept me watching. I could not abandon Michael. I needed to see how he came out of all this.
How did you feel about the finale of Prison Break, the season as a whole or the entire 4-year run? Let us know.
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