Movie Reviews
Can You Ever Forgive Me? Review: McCarthy's Great Memoir is Not a Fake
McCarthy and Grant make for a delicious pair of miscreants in Can You Ever Forgive Me?, a memoir brimming with sharp wit and social observations.
Silencio Review: High-Concept Family Drama is a Mixed Bag
Silencio toys with fascinating ideas and sports some solid performances, but is ultimately dragged down by a mediocre narrative.
Johnny English Strikes Again Review: Johnny Should've Stayed Retired
Johnny English Strikes Again is harmlessly silly on the whole, but may even leave fans of the previous Johnny English movies feeling underwhelmed.
The Old Man & the Gun Review: Robert Redford Robs Banks With Style
The Old Man & the Gun is a pleasantly breezy cops and (aging) robbers tale anchored by Redford's charismatic performance - be it his last one or not.
Halloween Review: And That's Why Jamie Lee Curtis is a Horror Icon
Driven by a committed Curtis, Halloween is mostly effective in the way it takes the slasher franchise back to its roots, yet builds on its foundation.
The Hate U Give Review: A Stunningly Powerful YA Adaptation
The Hate U Give tackles serious issues of racism and police violence with unflinching honesty and a stunning lead performance by Amandla Stenberg.
Apostle Review: Dan Stevens' Horror Movie is Bloody Weird Fun
Apostle blends atmospheric storytelling with grisly brutality to mixed results, but makes for an effectively nasty (and bizarre) horror movie overall.
First Man Review: One Giant Leap for Damien Chazelle
First Man is an intimate and epic biopic fueled by strong performances from its cast, as well as masterful craftsmanship by Chazelle.
Goosebumps 2: Haunted Halloween Review - A Pretty Slappy Sequel
Goosebumps 2 lacks the charm and inventiveness of its predecessor, but still has a reasonable amount of spoopy entertainment value to offer.
The Oath Review: Barinholtz & Haddish vs The Thanksgiving From Hell
The Oath is a clumsy, but ambitious directorial debut for Barinholtz and provides a blisteringly satirical examination of the modern political divide.
Bad Times At The El Royale Review: Goddard's Noir Film Is A Good Time
Bad Times at the El Royale is a deliciously entertaining, if sometimes slow, love letter to film noir from director Drew Goddard elevated by the cast.
22 July Review: Paul Greengrass Delivers Another Intense Docudrama
Despite some general storytelling issues, Greengrass succeeds in delivering another well-crafted and intelligent docudrama-thriller with 22 July.
Venom Review: Tom Hardy's Superhero Movie is a Weirdly Fun Monster
Venom is certainly a flawed superhero movie, but Tom Hardy's performances as Eddie Brock and Venom make for a fun and entertaining ride.
A Star is Born Review: Cooper & Gaga Write a (Not So) Bad Romance
Fueled by strong performances and Cooper's precise direction, A Star is Born is a moving (and tear-jerking) love story by way of showbiz melodrama.
Night School Review: Hart & Haddish Can't Pass The Class
Night School is a by-the-numbers and forgettable studio comedy that fails to realize the full potential of its promising cast and concept.
Assassination Nation Review: A Stylish, Unflinching Feminist Parable
Assassination Nation works well both as a stylish thriller with tense, horrific moments and as a feminist parable for the modern social media age.
The House With A Clock In Its Walls Review: Eli Roth Delivers Spooky Fun
The House with a Clock in Its Walls is a magical, kid-friendly horror flick with exceptionally fun performances by Jack Black and Cate Blanchett.
A Simple Favor Review: Anna Kendrick & Blake Lively Shine in Paul Feig's Thriller
A Simple Favor is a delightfully twisty psychological thriller with compelling performances, and much of Paul Feig's humor, but little substance.
The Predator Review: Shane Black's Requel is All Brawn & No Brain
The Predator aims to revitalize the sci-fi action franchise with fresh ideas, but succeeds at delivering mindless action more than cohesive mythology.
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