Taika Waititi's Thor: Ragnarok is a breath of fresh air in the MCU, but still feels very much like a Marvel movie – for better or worse.
Suburbicon is a confused mishmash of a movie that attempts to blend two different storylines and fails to fully develop either in an engaging fashion.
Thank You for Your Service isn't a great piece of filmmaking, but good intentions and sincere performances make it a solid drama about life after war.
Goodbye Christopher Robin is handsome and well acted, but has mixed success when it comes to presenting Milne's life story in a neat and tidy package.
1922 is a fascinating exploration of what guilt does to a man, fueled by a strong lead performance from Jane and compelling direction.
Tragedy Girls is a delightfully subversive and darkly comedic take on a slasher horror film, though it doesn't necessarily reinvent the genre.
While there are elements of a riveting Noir thriller here, The Snowman proves to be more of a pulpy mess than a chilling crime tale.
Only the Brave makes for a straightforward, but meaningful salute to real-world heroism, thanks to its strong performances and sturdy direction.
Happy Death Day is a fun, if silly, blending of various genre tropes that is fueled by a strong lead performance from Rothe.
Marshall is a solid courtroom melodrama elevated by Boseman's towering performance and its own timely-as-ever subject matter.
Professor Marston and the Wonder Women deftly blends a beautiful tale of romance with the story of Wonder Woman's origin and her feminist ideals.
Winslet and Elba give it their all, but The Mountain Between Us is an absurd and forgettable affair that leaves little impact with viewers.
Blade Runner 2049 not only succeeds at feeling like a necessary franchise revival, it also makes for a captivating standalone work of science-fiction.
Flatliners is an unmemorable redux hampered by poor writing and a general lack of thrills that fails to capture the attention of its audience.
American Made is a conventional true story crime caper that stays afloat thanks to Liman's solid direction and Cruise's committed turn as an antihero.
Battle of the Sexes thrives as a crowd-pleasing sports story with charm to spare, even as it sugarcoats the real-life events that inspired it.
Driven by two great performances, Gerald's Game successfully turns King's source material into a disturbing exercise in cinematic horror and suspense.
The LEGO Ninjago Movie is an underwhelming series installment hamstrung by a thin script and weak characters that don't leave much of an impact.
Kingsman: The Golden Circle doubles down on slick action and spy genre riffs, but adds enough fresh and fun elements to provide an exciting sequel.