Movie Reviews
Cargo Review: Martin Freeman's Walking Dead is Pretty Good
Cargo is a slow burn zombpocalypse drama that hits some familiar beats, yet there's a rich humanism at its core that makes the journey meaningful.
Life of the Party Review: Melissa McCarthy Earns a Passing Grade
McCarthy and Falcone stay firmly within their comfort zone on Life of the Party, but their take on the college comedy sub-genre is good natured fun.
Tully Review: Charlize Theron Goes From Young Adult to Motherhood
Theron's performance keeps Tully's warts and all portrayal of motherhood on course, even when the film's plot mechanics threaten to derail it.
Avengers: Infinity War Review - Marvel Delivers A Culminating Film
Avengers: Infinity War delivers an exciting culmination of the MCU, though it's overstuffed and suffers from certain typical Marvel movie problems.
You Were Never Really Here Review: Phoenix Shines in Moody Thriller
You Were Never Really Here has less success breaking the mold for its genre, but explores the often ignored corners in thoughtful and intriguing ways.
Truth or Dare Review: Blumhouse Loses This Game
Truth or Dare makes the least of its parts, wasting a promising premise with clichéd horror tropes and an uninspired narrative.
Rampage Review: The Rock's Monster Mash is Big Dumb Fun
Rampage doesn't blend action, comedy, and heart as well as The Rock's best tentpoles, but there's good dunderheaded fun to be had here.
Blockers Review: Hilarious Raunch Comedy For Modern Audiences
Blockers takes the classic raunch comedy premise of teens losing their virginity and gives it a hilariously entertaining update for modern audiences.
A Quiet Place Review: Don't Scream During This Great Monster Flick
A Quiet Place lives up to the ambitious challenge that it sets for itself, taking audiences on a compelling and suspenseful journey along the way.
Ready Player One Review: Spielberg Goes Back to the Future Past
An impressive work of technical showmanship, Ready Player One nevertheless falls short of recapturing that old-school Spielberg blockbuster magic.
I Kill Giants Review: A Monstrously Compelling Coming-of-Age Tale
I Kill Giants faithfully adapts the graphic novel for a striking coming-of-age movie that blends magical realism with heartbreaking drama.
Unsane Review: Soderbergh Gets Creepy With An iPhone
Although it bites off more than it can chew, Unsane makes for an effectively creepy and visually experimental B movie psycho-thriller.
Isle of Dogs Review: Wes Anderson's Latest is A Heartwarming Tale
Isle of Dogs infuses writer-director Wes Anderson's signature humor in an offbeat, but still heartwarming story about a boy and his dog(s).
Pacific Rim Uprising Review: John Boyega Elevates An Imperfect Sequel
Pacific Rim Uprising builds out the universe for a bigger, more fun fight between giant robots and monsters, but loses sight of del Toro's vision.
Tomb Raider Review: Alicia Vikander Almost Breaks the Video Game Curse
Though entertaining in the moment and briskly paced, Tomb Raider never overcomes feeling like a video game that you watch instead of play.
Love, Simon Review: A Modern Teen Rom-Com Classic
Love, Simon is a funny, heartfelt, and truly touching teen romantic comedy that instantly becomes a modern classic for today's generation.
Gringo Review: This Is How To Waste A Great Cast
Gringo is a messy, confused entry in the crime genre that wastes its stellar ensemble on an uninspired narrative and leaves minimal impact.
A Wrinkle in Time Review: Disney's Latest is a Beautiful Misfire
A Wrinkle in Time offers an engaging family-friendly sci-fi adventure, but falls short of reaching the potential of its talented cast and director.
Death Wish Review: Bruce Willis Isn't Back Yet
Death Wish is woefully generic fare that's tonally confused in its storytelling, bland in its direction, and doesn't bring much new to the table.