Holmes & Watson is a lazy comedy that wastes a fun premise and talented cast on tired jokes, tasteless gags, and sometimes bafflingly outdated humor.
Though it has the makings of a biting satire/biopic, Vice ends up feeling more like the rough draft of a better movie than a fully-realized vision.
Powered by Kidman's fierce performance and Kusama's deliberate filmmaking, Destroyer makes for an effectively pulpy work of high-art storytelling.
Bumblebee is a fun, heartfelt and still action-filled Transformers prequel that ushers in a new - and better - era of movies about the Autobots.
Bird Box is a respectably moody and intelligent psychological thriller, if also a relatively muddled supernatural horror allegory.
Welcome to Marwen is an ambitious, but miscalculated and otherwise misguided attempt to blend effects-driven filmmaking with grounded storytelling.
What DC's Aquaman movie lacks in refinement, it makes up for with action spectacle and a whole lot of fun personality from Momoa's Arthur Curry.
Mary Poppins Returns is a delightfully whimsical musical sequel that pays homage to its predecessor, yet by and large thrives on its own merits.
Spider-Man: Into the Spider-Verse delivers a funny, heartwarming and fresh superhero origin story with gorgeously executed comic-style animation.
Much like his previous films as a director, Jenkins' Beale Street adaptation is a richly layered and beautifully atmospheric work of cinematic poetry.
Mortal Engines has some terrific world design and visuals, but its uninspired narrative and ungainly filmmaking make for a hollow viewing experience.
Yet another impressive technical accomplishment for Cuarón, Roma explores the filmmaker's memories of childhood in a truly immersive and vivid manner.
Once Upon A Deadpool proves the foul-mouthed anti-hero can work in the confines of PG-13, but it only kind of works as a re-cut version of Deadpool 2.
Buoyed by the affecting performances from Julia Roberts and Lucas Hedges, Ben is Back makes for a compelling (though uneven) exploration of addiction.
Netflix's Dumplin' has an emotionally impactful message of self-acceptance, wrapped in a charming coming-of-age story & steeped in Dolly Parton music.
Armed with Lanthimos' trademark weirdness and three great lead performances, The Favourite is a truly unique spin on the typical royal court drama.
Asher tries to get by on the talent of its leads, but it's a dull thriller hamstrung by sloppy pacing and a poorly-constructed screenplay.