Mortal Engines has some terrific world design and visuals, but its uninspired narrative and ungainly filmmaking make for a hollow viewing experience.
Yet another impressive technical accomplishment for Cuarón, Roma explores the filmmaker's memories of childhood in a truly immersive and vivid manner.
Once Upon A Deadpool proves the foul-mouthed anti-hero can work in the confines of PG-13, but it only kind of works as a re-cut version of Deadpool 2.
Buoyed by the affecting performances from Julia Roberts and Lucas Hedges, Ben is Back makes for a compelling (though uneven) exploration of addiction.
Netflix's Dumplin' has an emotionally impactful message of self-acceptance, wrapped in a charming coming-of-age story & steeped in Dolly Parton music.
Armed with Lanthimos' trademark weirdness and three great lead performances, The Favourite is a truly unique spin on the typical royal court drama.
Asher tries to get by on the talent of its leads, but it's a dull thriller hamstrung by sloppy pacing and a poorly-constructed screenplay.
Mowgli: Legend of the Jungle is a darker adaptation of Kipling's stories, with stunning visual feats from director Andy Serkis and an impactful story.
Prodigy plays with some big ideas and heady themes, but doesn't fully develop all of them as it struggles to truly connect with audiences.
Ralph Breaks the Internet is bigger and more heartfelt, with some fun Disney nostalgia, but its story gets lost in the online setting at times.
Creed II is a meaningful and poignant continuation of the Creed/Rocky films, even though it doesn't scale the same artistic heights as its precursor.
Robin Hood modernizes the classic story with some new ideas that don't always work, but the tale of an outlaw hero is buoyed by Taron Egerton's charm.
Certain segments are far more engaging than others, but overall The Ballad of Buster Scruggs makes for an intriguing piece of anthology storytelling.
Instant Family is feel-good entertainment that has a big heart, plenty of laughs, and raises awareness about serious subject matter.
The Crimes of Grindelwald has its moments of wonder and delight, but gets bogged down in its efforts to build out the Fantastic Beasts franchise.
Widows masterfully blends high-art craftsmanship with a sharply drawn pulpy narrative to deliver a crime flick that's equally smart and entertaining.
The Girl in the Spider's Web is a generic franchise revival hamstrung by an uninspired story and poor character development.