Goosebumps 2 lacks the charm and inventiveness of its predecessor, but still has a reasonable amount of spoopy entertainment value to offer.
The Oath is a clumsy, but ambitious directorial debut for Barinholtz and provides a blisteringly satirical examination of the modern political divide.
Bad Times at the El Royale is a deliciously entertaining, if sometimes slow, love letter to film noir from director Drew Goddard elevated by the cast.
Despite some general storytelling issues, Greengrass succeeds in delivering another well-crafted and intelligent docudrama-thriller with 22 July.
Venom is certainly a flawed superhero movie, but Tom Hardy's performances as Eddie Brock and Venom make for a fun and entertaining ride.
Fueled by strong performances and Cooper's precise direction, A Star is Born is a moving (and tear-jerking) love story by way of showbiz melodrama.
Night School is a by-the-numbers and forgettable studio comedy that fails to realize the full potential of its promising cast and concept.
Assassination Nation works well both as a stylish thriller with tense, horrific moments and as a feminist parable for the modern social media age.
The House with a Clock in Its Walls is a magical, kid-friendly horror flick with exceptionally fun performances by Jack Black and Cate Blanchett.
A Simple Favor is a delightfully twisty psychological thriller with compelling performances, and much of Paul Feig's humor, but little substance.
The Predator aims to revitalize the sci-fi action franchise with fresh ideas, but succeeds at delivering mindless action more than cohesive mythology.
Despite a committed performance by Garner, Peppermint is an extremely forgettable and bland action movie that leaves no impression with the viewer.
The Nun is a thinly-sketched Conjuring spinoff that's light on real scares, but offers enough stylish atmosphere to make up (some of) the difference.
Sierra Burgess is a Loser attempts to be a modern and progressive teen rom-com, but tends to lean on the genre's regressive tropes too much.
Destination Wedding aims to be the misanthrope's rom-com, but despite the charm of Winona Ryder and Keanu Reeves, it's just plain unlikable.
Searching is a suspenseful drama, buoyed by its innovative filmmaking style and collection of strong performances by its leads.
The Little Stranger is a gripping adaptation that's more Gothic drama than horror-thriller, but may haunt you long after its credits are done rolling.
The Happytime Murders tries to mine all its comedy from R-rated puppet antics and Melissa McCarthy's typical schtick, but the jokes quickly wear thin.
Papillon is an effectively stark prison escape (and survival) adventure with solid performances, but only digs so deep into its themes and characters.