The Book of Henry awkwardly mashes together compelling individual elements, giving rise to a jarring and otherwise confounding viewing experience.
Rough Night offers an entertaining genderswap on the bromantic comedy, which especially works thanks to its Broad City brand of humor.
Cars 3 offers more heartfelt storytelling and rich animation than its predecessor, yet falls short of raising the bar for the Cars franchise.
The Mummy tries a fresh spin on the classic monster with a gender-swapped villain and Dark Universe connections but winds up a stale action reboot.
Captain Underpants makes the most of its silly and ridiculous premise by injecting high amounts of energy and laughter into the proceedings.
Wonder Woman is a beautifully directed superhero origin story that digs into Diana's transformation from naive warrior to inspiring hero.
Despite the charm of Dwayne Johnson and Zac Efron, Baywatch is an overlong buddy cop (or, lifeguard) comedy with more notable action than humor.
Pirates of the Caribbean: Dead Men Tell No Tales is an adequate series sequel, but fails to leave any lasting impression on the audience.
Alien: Covenant plays it safe by mashing together the best elements of previous Alien films, delivering a solid sci-fi horror/thriller in the process.
Everything, Everything offers some creative flourishes on a fairly typical teen romance that succeeds thanks to its young stars.
Legend of the Sword's brazen reimagining of Arthurian mythos, coupled with Ritchie's style, makes for a bombastic yet entertaining King Arthur epic.
Guardians of the Galaxy Vol. 2 doubles-down on everything that audiences loved about its predecessor, to still-entertaining but diminished returns.
The Circle is bolstered by a fascinating premise and solid performances, but doesn't bring anything new to the table in regard to its discussions.
Free Fire is a stronger concept than film, hamstrung by poor storytelling and execution, despite the best efforts of the cast.
The Lost City of Z is a handsome and ambitious historical epic, if also one that's more intellectually engaging than emotionally compelling.
The Fate of the Furious is a solid addition to the franchise, but falls short of the bar set by recent Fast & Furious installments.
Going in Style is a baffling blend of tones that ultimately plays as a harmless piece of fluff devoid of any significant stakes.
The Lost Village is standard, kid-friendly entertainment, but it succeeds at bringing the colorful Smurfs universe to playfully-animated life.
The Boss Baby is generic animated fare, but it's bolstered by a unique visual flair and important lessons for children in the audience.