Latest 4 star movies

  • ‘The Debt’ Review

    ‘The Debt’ Review

    Is ‘The Debt,’ an intriguing character drama, or just another by-the-books American remake that falls-short of the original? Read our review to find out.

    (11) by Ben Kendrick
  • ‘Our Idiot Brother’ Review

    ‘Our Idiot Brother’ Review

    Paul Rudd leads an ensemble cast of comedic actors in ‘Our Idiot Brother’, a funny and charming examination of family drama and the ties that sometimes bind us to burdensome relatives.

    (32) by Kofi Outlaw
  • ‘Rise of the Planet of the Apes’ Review

    ‘Rise of the Planet of the Apes’ Review

    The ‘Rise of the Planet of the Apes’ is upon us – but is the reboot a step forward or backward in the evolution of the franchise?

    (110) by Ben Kendrick
  • ‘Attack the Block’ Review

    ‘Attack the Block’ Review

    Can a low-budget alien invasion flick truly be better than all the big-budget invasion blockbusters crowding movie theaters? Read our ‘Attack The Block’ review to find out.

    (40) by Kofi Outlaw
  • ‘Captain America: The First Avenger’ Review

    ‘Captain America: The First Avenger’ Review

    Is ‘Captain America: The First Avenger’ the best superhero movie of the summer, or just more of the same? Read our review.

    (279) by Kofi Outlaw
  • ‘Harry Potter and the Deathly Hallows: Part 2’ Review

    ‘Harry Potter and the Deathly Hallows: Part 2’ Review

    Is ‘Harry Potter and the Deathly Hallows: Part 2’ the epic finale that fans of the franchise have been hoping for? Read our review and find out.

    (91) by Kofi Outlaw
  • ‘Transformers: Dark of the Moon’ Review

    ‘Transformers: Dark of the Moon’ Review

    Does Michael Bay’s ‘Transformers: Dark of the Moon,’ roll out an epic 3D blockbuster experience? Or is the movie just scrap metal? Read our review.

    (320) by Ben Kendrick
  • ‘The Tree of Life’ Review

    ‘The Tree of Life’ Review

    Terrence Malick is back from his directorial hibernation with the new and extremely ambitious film, ‘The Tree of Life.’ But in showcasing the meaning of life, has he produced a soulless film?

    (46) by Ben Kendrick
  • ‘Super 8’ Review

    ‘Super 8’ Review

    With ‘Super 8’, J.J. Abrams pays homage to kid adventure and sci-fi mystery films of the ’70s and ’80s. But is the movie everything that viewers hope or expect it to be?

    (88) by Kofi Outlaw
  • ‘The Beaver’ Review

    ‘The Beaver’ Review

    Does Jodie Foster’s ‘The Beaver’ stand apart from all the controversy surrounding Mel Gibson, or is it just a sad reminder of the actor’s fall from grace? Read our review to find out.

    (35) by Ben Kendrick
  • ‘Bridesmaids’ Review

    ‘Bridesmaids’ Review

    Is ‘Bridesmaids’ a chick flick targeted at men? Or is it a raunchy R-rated comedy aimed at women? The answer is: It’s both.

    (87) by Vic Holtreman
  • ‘The Greatest Movie Ever Sold’ Review

    ‘The Greatest Movie Ever Sold’ Review

    ‘POM Wonderful Presents The Greatest Movie Ever Sold’ is one of the smartest, most twisted and fun documentaries in years.

    (41) by Kofi Outlaw
  • ‘Hanna’ Review

    ‘Hanna’ Review

    ‘Hanna’ re-imagines the classic princess fairytale as a spy-action odyssey, which is bolstered by a great cast, stylish direction, and a thumping soundtrack by The Chemical Brothers.

    (47) by Kofi Outlaw
  • ‘Insidious’ Review

    ‘Insidious’ Review

    An unusual third act may turn off some viewers, but ‘Insidious’ – James Wan and Leigh Whannell’s love letter to classic horror – delivers some of the most effective and spine-tingling scares you’re ever going to see.

    (78) by Rob Frappier
  • 13 Assassins Review

    13 Assassins Review

    ’13 Assassins’ is the most mature and accomplished work director Takashi Miike has done to date, and features one of the best final battle sequences ever filmed.

    (27) by Kofi Outlaw
  • ‘The Lincoln Lawyer’ Review

    ‘The Lincoln Lawyer’ Review

    Matthew McConaughey does a fine job in legal thriller ‘The Lincoln Lawyer’ – an overall solid and entertaining film.

    (21) by Vic Holtreman
  • The Adjustment Bureau Review

    The Adjustment Bureau Review

    ‘The Adjustment Bureau’ is not an ‘Inception’-style thriller as its ads suggest, but its blend of romance, humor, and contemplative science-fiction make for a very enjoyable movie.

    (40) by Rob Frappier
  • ‘The Way Back’ Review

    ‘The Way Back’ Review

    Filled with superb performances and an inspirational story, ‘The Way Back’ praises the determination of the human spirit in the face of insurmountable odds.

    (13) by Paul Young
  • The King’s Speech Review

    The King’s Speech Review

    ‘The King’s Speech’ is a competent Oscar-baiting historical drama, but does the film stammer too much for the mainstream moviegoer? Read our review to find out.

    (36) by Ben Kendrick
  • True Grit Review

    True Grit Review

    ‘True Grit’ stands as a testament to the fact that apparently it IS possible to produce an excellent remake of a classic and beloved film.

    (92) by Vic Holtreman
  • Casino Jack Review

    Casino Jack Review

    Kevin Spacey delivers in ‘Casino Jack’ – a comedic drama about the downfall of ‘Super Lobbyist’ Jack Abramoff – but is the movie worth watching?

    (8) by Ben Kendrick
  • ‘Tangled’ Review

    ‘Tangled’ Review

    With stunning images, witty banter, and smartly drawn characters, Disney’s ‘Tangled’ guides the classic princess fairytale into the modern age.

    (61) by Roth Cornet
  • ‘Unstoppable’ Review

    ‘Unstoppable’ Review

    With the help of Chris Pine and Denzel Washington, director Tony Scott once again tackles drama on a train with a retro vibe in ‘Unstoppable.’

    (40) by Vic Holtreman
  • 127 Hours Review

    127 Hours Review

    Danny Boyle’s ‘127 Hours’ stars James Franco in the gripping real-life account of climber Aron Ralston’s struggle to survive after his arm is trapped under a boulder.

    (23) by Ben Kendrick
  • ‘Monsters’ Review

    ‘Monsters’ Review

    ‘Monsters’ manages to do what the best sci-fi films have always done: use an extraordinary set of circumstances as the framework for an insightful human story.

    (62) by Kofi Outlaw