Movie Reviews
The House With A Clock In Its Walls Review: Eli Roth Delivers Spooky Fun
The House with a Clock in Its Walls is a magical, kid-friendly horror flick with exceptionally fun performances by Jack Black and Cate Blanchett.
A Simple Favor Review: Anna Kendrick & Blake Lively Shine in Paul Feig's Thriller
A Simple Favor is a delightfully twisty psychological thriller with compelling performances, and much of Paul Feig's humor, but little substance.
The Predator Review: Shane Black's Requel is All Brawn & No Brain
The Predator aims to revitalize the sci-fi action franchise with fresh ideas, but succeeds at delivering mindless action more than cohesive mythology.
Peppermint Review: Jennifer Garner Can't Save Bland Action Romp
Despite a committed performance by Garner, Peppermint is an extremely forgettable and bland action movie that leaves no impression with the viewer.
The Nun Review: The Conjuring Movies Go Full Hammer Horror
The Nun is a thinly-sketched Conjuring spinoff that's light on real scares, but offers enough stylish atmosphere to make up (some of) the difference.
Sierra Burgess Is A Loser Review: Netflix's Teen Rom-Com Isn't A Winner
Sierra Burgess is a Loser attempts to be a modern and progressive teen rom-com, but tends to lean on the genre's regressive tropes too much.
Destination Wedding Review: A Rom-Com Too Cynical To Be Enjoyable
Destination Wedding aims to be the misanthrope's rom-com, but despite the charm of Winona Ryder and Keanu Reeves, it's just plain unlikable.
Searching Review: John Cho Shines In Suspenseful Tech Thriller
Searching is a suspenseful drama, buoyed by its innovative filmmaking style and collection of strong performances by its leads.
The Little Stranger Review: Gothic Horror Drama Done Right
The Little Stranger is a gripping adaptation that's more Gothic drama than horror-thriller, but may haunt you long after its credits are done rolling.
The Happytime Murders Review: A Muppet Movie Misfire
The Happytime Murders tries to mine all its comedy from R-rated puppet antics and Melissa McCarthy's typical schtick, but the jokes quickly wear thin.
Papillon Review: Charlie Hunnam's Prison Break is a Grim Affair
Papillon is an effectively stark prison escape (and survival) adventure with solid performances, but only digs so deep into its themes and characters.
Prodigy Review: A Captivating Sci-fi Thriller
Prodigy offers a compelling, if low-budget psychological thriller that's elevated by the lead performances and a twist on a classic sci-fi premise.
To All The Boys I've Loved Before Review: A Charming Modern YA Rom-Com
To All The Boys I've Loved Before is a charming young adult romantic comedy that tells a sweet and joyful story of young love for modern audiences.
Mile 22 Review: Mark Wahlberg's Latest Thriller Misses the Target
Mile 22 isn't lacking when it comes to hard-hitting action, but is undone by its confused narrative and over-rushed attempt at franchise-building.
Crazy Rich Asians Review: This Is What Big Studio Rom-Coms SHOULD Be
Crazy Rich Asians is a spectacular, heartwarming instant classic of a romantic comedy that brings some much-needed representation to the genre.
The Meg Review: When Jason Statham Fights a Giant Shark, Everyone Wins
The Meg is an entertaining underwater monster movie and summer thrill ride that wholeheartedly embraces its inherent cheesiness without overdoing it.
BlacKkKlansman Review: Spike Lee Has Something to Say
BlacKkKlansman is a well-crafted dramatization of real events and one of Spike Lee's more effective cinematic sermons on racism in recent memory.
Christopher Robin Review: The Silly Old Bear is Charming as Ever
Christopher Robin is a re-imagining full of heart and soul that, like the best Disney features, has something of value to offer audiences of all ages.
The Darkest Minds Review: It's No Hunger Games, But It's A Solid YA Movie
The Darkest Minds is a solid enough dystopian sci-fi YA adaptation, elevated by Amandla Stenberg's performance, but it won't revive this film trend.
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