Edgar Wright is one of the most creative and energetic directors of our time, generating strong critical reviews and deep respect within the movie industry for his original and and well-made films. Wright is primarily known for his comedy and frenetic editing style, with most of his films containing a fast pace and unique editing flourishes that help elevate his material above his contemporaries.

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But sometimes critical reception does not align with commercial performance and popularity. Wright is not a blockbuster director, and even the blockbusters he has directed have performed modestly. As such, the commercial performance of his films may prove surprising.

Shaun Of The Dead (2004) - $30 Million

Ed and Shaun talking to each other in Shaun of the Dead

Wright had previously worked with Simon Pegg and Nick Frost on the Channel 4 sitcom Spaced. It was while working on Spaced that Wright perfected his signature directorial style, and the sitcom was given a far more cinematic flair than its contemporaries. It was also deeply rooted in pop culture references - a theme that would carry over into Wright's future movie work. His major directorial debut was 2004's Shaun of the Dead - a parody zombie film that carried over much of the Spaced team, including Wright, Pegg, Frost, and producer Nira Park.

The movie was made for $6 million, and despite little marketing or brand awareness, the movie spent three weeks in the US top ten, generating $9.3 million. It finished its domestic run with $13.4 million. It performed similarly well in the international market, grossing an additional $16 million for a combined $30 million.

The World's End (2013) - $46 Million

Gang chugs their beers at a pub in The World's End

Following Shaun of the Dead and Hot Fuzz, Edgar Wright, Simon Pegg, and Nick Frost became household names, and each went their separate ways. Frost and Pegg became big-time actors (with Pegg appearing in the likes of Star Trek and Mission: Impossible films), and Wright going on to direct bigger-budgeted, mainstream Hollywood films. Luckily, they reunited in 2013 for The World's End, the third and final entry in the incredibly popular Cornetto trilogy.

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Unfortunately, the movie didn't perform nearly as well as Hot Fuzz. Made on a budget of $20 million, the movie spent just three weeks in the top ten before finishing with $26 million. The movie performed even worse in the international market, generating $20 million for a combined worldwide gross of $46 million. It was a decent performance for an original comedy about depressed middle-aged men entering a mid-life crisis, but when compared to Hot Fuzz (and considering its stellar cast), The World's End proved a bit of a commercial disappointment.

Scott Pilgrim Vs. The World (2010) - $47 Million

Scott wields a flaming sword

Scott Pilgrim vs. the World was supposed to be Edgar Wright's breakthrough into mainstream Hollywood. Based on Bryan Lee O'Malley's series of graphic novels, the movie stars Michael Cera as Scott Pilgrim, a young adult who is forced to do battle with his girlfriend's ex-boyfriends. The movie is filmed much like a comic book, complete with exaggerated, cartoonish visuals, colorful visual effects, and Wright's traditional style of frenetic editing. The movie was made for a massive $85 million, but it proved a horrible flop at the box office (despite earning strong reviews from critics).

It opened at #5 with just $10.6 million and spent just two weeks in the top ten before finishing with $31.4 million. It added an additional $16 million in the international market, combining for a total worldwide gross of $47.6 million. It was certainly not the hit that Universal was expecting, and it proved a disappointing performance for Wright's first blockbuster. Despite its relatively poor box office performance, the movie has since accumulated quite a sizable cult following, with many calling it an underappreciated classic of the comic book/action genre.

Hot Fuzz (2007) - $80 Million

Two police officers with vests in Hot Fuzz

Serving as the second and middle entry in the Cornetto trilogy, Hot Fuzz mostly works as a parody of the buddy cop genre. The film stars Simon Pegg and Nick Frost as two police officers in a small, rural English village uncovering a murderous plot. The movie was widely acclaimed for its humor, Wright's direction, and unique blending of genres - including comedy, action, cult film in the vein of The Wicker Man, and even some genuine horror.

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Despite some strong competition, many believe it to be the best movie of the loosely-connected Cornetto trilogy. Hot Fuzz spent five weeks in the US top ten before finishing with a respectable $23.6 million. The movie performed exceptionally well in the international market (thanks in large part to the reception of Shaun of the Dead), grossing $57 million for a combined worldwide total of $80.7 million. It is by far the most commercially successful film of the Cornetto trilogy and the second highest-grossing movie directed by Wright. It is followed only by...

Baby Driver (2017) - $226 Million

The team in an elevator in Baby Driver

When it comes to Wright's mainstream movie career, then absolutely nothing beats 2017's Baby Driver. Baby Driver is Edgar Wright's passion project, having been over two decades in the making. Luckily, the movie proved incredibly successful for Wright, and his passion project was both widely adored and commercially successful. The movie was made for just $34 million - an exceptionally low amount considering the stunts, ambition, and incredible cast consisting of Ansel Elgort, Kevin Spacey, Lily James, Jon Bernthal, Jon Hamm, and Jamie Foxx.

The movie earned widespread praise for its editing and sound design, with most of the acclaim going to the filmmaking itself rather than the story. It opened at #2 over the July 4th long weekend, generating a respectable $39 million. It finished its domestic run with $107.8 million and took in $119 million in international markets for a combined worldwide gross of $226.9 million. It was an enormous commercial success (especially considering its relatively small budget), and it proves Edgar Wright's highest-grossing movie to date.

NEXT: Cornetto Trilogy: 10 Best Recurring Series Themes