While every decade boasts its own fair share of biographical films, they also have a unique approach. Films of the 90’s were beset by increased open-mindedness and indie filmmaking, which resulted in equally stylized biopics. Even when these biopics are most grounded, their voice is distinct and passionate.
This underground attitude is particularly gripping, venturing from revisionist westerns to overlooked whistleblowers. With so many stories worth telling, regarding significant people and captivating settings throughout history, these selections become a time capsule of 90’s values. And they also punctuate some early career highlights from versatile, now-famous actors.
October Sky (1999) - 7.8
Perhaps Chris Cooper has been somewhat typecast over the years, but he’s no less compelling here as the antagonistic father. Themes about the struggling coal industry will still resonate today, and the family drama is timeless.
Though it’s a familiar story, it’s certainly inspirational. And while its approach may be somewhat friendly, making the story feel a tad academic, the emotional challenges carry a proper degree of sincerity. Those who already have a passion for science will especially appreciate the young protagonist’s ambition.
Ed Wood (1994) - 7.8
That anyone’s claim to fame has been consistently panned as one of the worst films ever made, makes director Ed Wood just the right protagonist for the 90's to revisit.
The man consistently generated low-budget films that eventually strayed into more sexual material. His unabashed approach to campy storytelling is really very fascinating. So, the appeal of this film is quite similar to The Disaster Artist. It’s also fairly unique for Tim Burton, who usually thrives in Gothic tales like DC's Batman. However, this biopic still bears his signature sense of humor.
Tombstone (1993) - 7.8
An ensemble cast like this is quite rare, allowing even the smallest of roles to become equally iconic. The friendship between lawman Wyatt Earp and criminal "Doc" Holliday is particularly intriguing. Further, Val Kilmer has arguably never been more hilarious and charming.
The romance can be somewhat cheesy, but it’s gloriously nostalgic nonetheless. In a genre that often champions anti-heroes or criminals, it’s totally refreshing that outright lawmen can be equally grandiose and fun. Still, the film isn’t afraid of sincere tragedy and pathos.
Awakenings (1990) - 7.8
This is one of those rare films that can discuss the profound in a genuinely relatable way. It was also a stunning precursor of Robin Williams’ dramatic genius, touching and no less brilliant than his comedy.
He distinctly bested the expectations of his traditional and beloved, high-octane humor. Even more, the director Penny Marshall was a powerful creative who reinforced the need for better diversity and equality in Hollywood filmmaking. Marshall successfully captures crucial, intimate moments with a deep understanding of the material and artistic process.
The Insider (1999) - 7.8
Russell Crowe is one of the few actors who can portray both epic heroes and a relatable everyman, much like Harrison Ford. Here, his performance earns every bit of sympathy as the protagonist’s life is torn down, piece by piece.
This film smartly addresses the personal cost of taking on big business, even when the cause is righteous. Director Michael Mann carefully paces the film, distinctly well versed in epic dramas. His stylized camerawork smoothly molds to quiet intimacy and escalating thrills alike.
The Straight Story (1999) - 8.0
As opposed to the surreal and dark atmosphere that viewers traditionally expect from director David Lynch, he returns to outright drama here. Although, one might have suspected a double meaning from the title.
Like The Elephant Man, it seems that biographical accounts result in a very different approach from Lynch. There is a reserved, honest personality to the film, which intelligently discusses family and age. It is boldly paced, significantly slower than most films. But the story feels more immersive and intimate because of it.
In The Name Of The Father (1993) - 8.1
There isn’t much praise left to give Daniel Day Lewis and Pete Postlethwaite, who always earn every bit of it. The father-son relationship between their characters is the emotional core of the film, despite all of the controversial politics involved. And although the story wanders at the beginning, the primary conflict is utterly mesmerizing.
It’s tastefully handled, but haunting nonetheless. The torture sequences are crushing, and everything that unfolds in prison carries tangible intrigue and building desperation.
Braveheart (1995) - 8.3
A classic tale of rebellion against unjust power, this sweeping epic still holds up, unafraid to depict cruelty with shattering sincerity. History always feels grand, but deeds that resonate beyond their time are made accessible through stories of the individual.
And while most biographies toy with accuracy for dramatic effect, the essence of this story’s humanity and themes remain intact. Mel Gibson’s film expertly balances poignant relationships and tragedy with thrilling battles, which have garnered genuine investment.
Goodfellas (1990) - 8.7
Probably one of the most unnerving gangster films for the uninitiated, the dark sense of humor is still accessible and fun. That playful attitude truly distinguishes it from Martin Scorsese’s other classic crime-thrillers. Scorsese certainly doesn’t shy away from violence or tough consequences.
The masterful director simply finds the humor in his protagonist’s strange livelihood. Scorsese explores the entire functioning world of gangsters. which is terrifying, amusing and fascinating all at once. The level of authenticity is striking, and the music only adds another immersive mood.
Schindler's List (1993) - 8.9
Nothing short of heartbreaking, this haunting story unfolds with brutal honesty, helping viewers confront the past as a crucial lesson. This is a tremendously human story about the inhumane, and even metaphorical devices like the girl in red do not break the emotional resonance.
Any fame of the cast slips away, and John Williams’ music is equally brimming with a sense of responsibility and sincerity. This is a powerful study of the utmost horrors, or empathy and endurance that humans can muster.