An early draft of Alien: Covenant acted as a bridge between Prometheus and Covenant and provided resolution for the character of Elizabeth Shaw. Alien fans couldn't have been more excited when Ridley Scott announced he was returning to the series to helm a prequel. Scott had long been fascinated by the Space Jockey creature the Nostromo crew find dead in the original movie and was surprised none of the other sequels explored the creature's backstory. Scott thus signed on for a script dubbed Alien: Engineers by screenwriter Jon Spaihts, which revolved around a team of scientists flying to a planet to explore the origins of mankind.The script was a direct prequel to Alien, explaining how the derelict crashed on LV-426, in addition to featuring eggs, facehuggers and new takes on the xenomorph. It was by all accounts a solid story, featuring great setpieces and additions to the lore of the series, but Scott had a big issue with it; he was bored by the Alien. The parts of the script that interested him was the idea of mankind literally meeting their makers, a Christian scientist reconciling her faith when confronted with the truth of humanity's origin and the relationship of A.I. David to his creator Weyland. Scott felt the xenomorph has been overexposed and "cooked" by too many sequels, so Engineers morphed into more of a spin-off when Damon Lindelof came onboard to rewrite.Related: How Alien: Covenant Fixes Prometheus' ProblemsPrometheus was arguably one of the most anticipated movies of the last decade, but the final product proved divisive. The movie received good reviews for being an ambitious blockbuster asking interesting questions, some of the setpieces like Shaw's gruesome alien cesarean proved Scott still had a knack for horror, and Michael Fassbender was praised for his turn as android David. That said, the prequel drew flak for featuring unlikeable characters who often made baffling decisions and being an awkward mesh between high minded sci-fi and trashy B-movie.The movie was still a financial hit and ended on a tantalizing cliffhanger where lone human survivor Shaw (Noomi Rapace) jets off with the severed head of David to find the Engineer homeworld, and learn why they hate mankind. Prometheus 2 was supposed to follow Shaw's continuing adventures but those who've seen Alien: Covenant will know that plans changed dramatically in the five-year gap between movies. Scott's interest shifted to the journey of sociopathic A.I. David, and Shaw was sidelined as a result. However, an early draft of Covenant by writer John Logan provided more of a bridge between the two movies and filled in a lot of blanks for those upset with Shaw's eventual fate.This Page: The Original Plans For Prometheus 2
The Original Plans For Prometheus 2
In the years between Prometheus and Alien: Covenant, Scott would provide the occasional hint of where the story was heading, but some of his comments could be contradictory. He claimed for a long time the Alien definitely wouldn't appear - only to confirm it would before production began. Shortly after Prometheus, the director teased the sequel would have found Shaw and David reaching the Engineer homeworld, which Scott called "Paradise" - only to find the planet is anything but.
Shaw was still very much the lead during this period, with Scott even labeling it essential that she and David remain alive. Sadly, no synopsis or early draft of this iteration have surfaced, so it's hard to know how the story would have played out. Concept art from 2014 by Khang Le back when the project was still called Prometheus 2 hints at a much different take to Covenant. The Engineer city looked totally different and was much more Giger-like in design. It appears David would have still unleashed the Xenovirus on the city, but the difference is some Engineers would have survived. David would have carried out his experiments on these living subjects, and it appears some of the Engineers would have mutated into the Neomorphs seen in Covenant. Additional artwork shows even the local animals and plant life had mutated according to David's design.
Related: What Could An Alien: Covenant Sequel Be About?
It appears at this point in the project's development Scott's focus had shifted to David as the lead since Shaw doesn't appear anywhere in the artwork. Scott has since confirmed he wants the series to move away from the xenomorph and focus on A.I.s instead, and it appears the seeds of this early concept David creating his own Eden free of humanity are intended to form the basis of a potential third movie.
The Paradise Early Draft Differences
David's promotion to the lead character of Alien: Covenant didn't leave much room for Elizabeth Shaw, with the movie eventually revealing she was killed and used by the android to perfect his experiments. It was an abrupt ending for the character, and while Shaw was hardly an icon like Ellen Ripley, many felt the character deserved a more dignified fate. Rapace doesn't even appear alive in the movie, with Shaw only showing up proper in viral promotion The Crossing. This three-minute short recaps her and David's journey to the Engineer homeworld, their budding friendship and how she was put into hypersleep when David unleashed the xenovirus. While the short provides a bridge between movies, it leaves lots of questions unanswered.
Now an early script for this prologue has been released online and greatly fleshes out the trip. This draft dubbed Paradise was written by John Logan and is dated August 2015. The script opens with Shaw on the Engineer Dreadnought recapping the events of Prometheus in voice-over. The script also reveals David's severed head has been exiled to the outside of the ship; Shaw found him trying to reassemble himself, so she banished him. Shaw is able to survive thanks to a reflecting pool providing her with water and vines that grow a strangle purple fruit. She's even refashioned her old helmet as a mirror.
Since David isn't connected to his body his power systems start to fail, so he manages to sweet talk Shaw into fixing him once she realizes that if he dies, she'll be totally alone. She reconnects him to his body, and David puts on his best human face once he's back together. The two grow close over the coming months; they plan their arrival on the planet, work together on the gardens and record a message for other ships to come find her. The script even hints at them becoming lovers.
Related: Alien & Covenant Movie Series Timeline Explained
Unlike The Crossing, Shaw is awake when the ship reaches the homeworld. The bridge turns translucent as they fly over the Engineer city, with Shaw crying as she takes in the stunning view. Then David's human façade drops; he suddenly snaps Shaw's neck before heading to the cargo bay and unleashing the Xenovirus, as seen in the final movie.
Why The Alternate Prologue Should Have Been Used
Prometheus may have been a success but the reception was decidedly mixed, with many fans complaining about the lack of connection to the Alien series. It was likely studio pressure that tilted Prometheus 2 into more of an Alien sequel, down to the inclusion of the titular Star Beast in the finale. Covenant thus became an awkward mesh, fusing the philosophical sci-fi of Prometheus with the trashy monster antics of a latter-day Alien sequel.
Fassbender's David is such a fascinating character that few critics had any complaints about his ascension to lead, but Covenant needed a smoother transition between it and Prometheus to work. The full-length Paradise prologue would have allowed that, providing tragic resolution for Shaw's character and filling in lingering questions from the final movie. It's possible some of this script was shot; Rapace was reportedly on set in Australia for weeks, and editor Pietro Scalia has confirmed around 12 minutes of footage between Shaw and David was cut to make the story tighter. Whether that footage will ever surface is another question.
It's possible The Crossing was a way to use this material, with not all of it used as a way to keep Shaw's fate ambiguous prior to release. Still, had the movie included this flashback when David reflects at Shaw's grave, it would have been a much more satisfying resolution to the Prometheus story. Of course, the two prequels have a bad habit of keeping key pieces of information mysterious in case Scott wants to explore them in a later movie, so it's possible Shaw and David's odyssey would have been explored in more detail later on. However, considering Scott may not get a shot at making another Alien movie, he should have gone all in with Alien: Covenant and given Shaw a proper sendoff.