Tim Burton’s Alice in Wonderland is a wonderfully spun tale that delves deeper into the fantasy aspect of the story than any of its predecessors; however, the use of 3D is distracting at best and horrible at worst.
Screen Rant's Paul Young reviews Alice in Wonderland
Let me start by saying that I’m a big fan of almost everything that involves Tim Burton and Johnny Depp. Burton has a dark, almost “Poe” like story telling ability that I really enjoy - and I don’t think there is any actor alive today that can rival the ability Depp has in bringing a unique quality to each character he plays.
For this review first I’ll discuss the story of the film, and then I’ll address the use of 3D - and how it did or did not help the film.
For those that may not already know, this version of Alice in Wonderland is not the same as the animated story Disney produced in 1951, but it does use the same characters. In this version, we are introduced to Alice when she is only 6 and is having nightmares of a strange world filled with talking caterpillars, dodo birds and other strange beasts. Her father assures her it’s all just a dream.
Fast forward 14 years and little Alice (Mia Wasikowska) is all grown up and about to receive a marriage proposal from Hamish Ascot, who will eventually be Lord Ascot. That doesn’t matter to Alice, who is always daydreaming and wants more out of life than just status. The story takes a familiar twist at this point when Alice begins seeing a White Rabbit while walking through the garden with her future mother-in-law. Just as Hamish proposes to Alice in front of four or five dozen strangers, she gets distracted and takes off after the White Rabbit and inevitably falls down the rabbit hole.
After a visually interesting “Drink Me,” “Eat Me” scene, Alice is once again introduced to the world of Wonderland (or Underland as the Hatter tells us later). I say once again, because this is Alice’s second trip to the fantasy world although she has no recollection of it other than from her dreams. In Lewis Carroll’s sequel to Wonderland, Through the Looking Glass, Alice does meet the Red and White Queens but she is still a young child. What writer Linda Woolverton has done here is masterfully mix Carroll’s poems from both stories into an altogether different work of art.
After falling through the hole, Alice meets the Tweedle brothers, the Dormouse, and the White Rabbit, who take her to meet Hans Gruber the Blue Caterpillar. They have doubts that she is the “real” Alice and hope the hookah smoking insect can shed some light on the truth. Alice firmly believes she is in a dream and therefore can not be the Alice they are waiting for. Their Alice is supposed to defeat the Jabberwocky, the Red Queen’s champion, and bring about Frabjous Day.
One problem, the Red Queen, played by the beautiful Helena Bonham Carter, has attacked her sister the White Queen, played oddly by Anne Hathaway, and killed her husband the Red King and now has (W)Underland completely under her fearsome rule. In fact, our first encounter with the Red Queen involves a frog, some missing tarts and the familiar phrase, “OFF WITH HIS HEAD!”
Carter is obviously having a lot of fun in her big-headed role and it shows. She’s compelling to watch the entire time she’s on screen but maybe that’s just because of her oversized noggin. The size of her head becomes a humorous center piece for a few sight gags later in the film.
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