2 star movies
Welcome to Marwen is an ambitious, but miscalculated and otherwise misguided attempt to blend effects-driven filmmaking with grounded storytelling.
Asher tries to get by on the talent of its leads, but it's a dull thriller hamstrung by sloppy pacing and a poorly-constructed screenplay.
The Girl in the Spider's Web is a generic franchise revival hamstrung by an uninspired story and poor character development.
Johnny English Strikes Again is harmlessly silly on the whole, but may even leave fans of the previous Johnny English movies feeling underwhelmed.
Night School is a by-the-numbers and forgettable studio comedy that fails to realize the full potential of its promising cast and concept.
Sierra Burgess is a Loser attempts to be a modern and progressive teen rom-com, but tends to lean on the genre's regressive tropes too much.
Destination Wedding aims to be the misanthrope's rom-com, but despite the charm of Winona Ryder and Keanu Reeves, it's just plain unlikable.
Mile 22 isn't lacking when it comes to hard-hitting action, but is undone by its confused narrative and over-rushed attempt at franchise-building.
Skyscraper is a serviceable action vehicle for a charming Dwayne Johnson, but even he can’t save it from repetitive set pieces and a stale story.
How It Ends tries to balance drama and thrills with a sci-fi premise, but ultimately fails to deliver in this bland but beautiful apocalypse film.
Fifty Shades Freed brings the E.L. James' book-based trilogy to its climax with plenty of sex, overwrought drama, and unintentional humor.
Winchester is a bland horror film that avoids being altogether forgettable thanks to leads Helen Mirren and Jason Clarke.
Maze Runner: The Death Cure provides a satisfactory concluding chapter to the YA dystopian trilogy, and little else beyond action spectacle.
Downsizing does the bare minimum with its out-of-the-box concept, telling a story that’s dull and uninteresting in execution.
Pitch Perfect 3 offers a satisfying conclusion to the a capella series, but sacrifices heart and substance for bizarre, over-the-top story choices.
The Greatest Showman is a disjointed, glossy, sugar-coated mess that just skates by on Jackman's natural charm and charisma.
Suburbicon is a confused mishmash of a movie that attempts to blend two different storylines and fails to fully develop either in an engaging fashion.