Love Accidentally Review: A Bland, Passionless Enemies-To-Lovers Rom-Com
Love Accidentally is a flimsy story with poor chemistry. It's enough to torpedo any rom-com, but it's made worse by being aesthetically displeasing
Love Accidentally is a flimsy story with poor chemistry. It's enough to torpedo any rom-com, but it's made worse by being aesthetically displeasing
Neon Lights shows promise, but it buckles under the weight of an identity crisis - the film is unsure of what it wants to be and ultimately falters.
The Man From Toronto is a dull, by-the-numbers action-comedy. Apart from a fight sequence that is poorly edited, there is little engaging action.
If there's anything that defines I'm Charlie Walker, it's being surface-level, and that didn't have to be written as a criticism.
The themes presented are extremely relevant, but almost never hit home. Deep in the Forest certainly has a point of view, but it's a meandering slog.
The lead character, relationship dynamics and premise are surface-level and, despite a few funny moments, Senior Year never lives up to its potential.
Everything else surrounding the film leaves the viewer bored & confused knowing there is still an answer they need at the end of this murder mystery.
Black Site follows a straightforward plot, but it is predictably stale and basic thriller with little to offer audiences who enjoy the genre.
Sadly, Choose or Die forgets to be a movie that can stand on its own and is rather consumed by the possibility of being a franchise.
For how extreme the threats are, and for how little exaggeration is needed to create them, it's missing the key ingredient: Three-dimensional leads.
Despite featuring tense chase/gore sequences that are fairly well-made, Texas Chainsaw Massacre butchers Leatherface's legacy in the dullest of ways.
There are plenty of feel-good romps about humans and their animal companions, but Dog stands out for how unintentionally toxic it is.
The Sky Is Everywhere is a visual treat, soured by a complete lack of balance in the story structure, characterization, motivation, and pacing.
The scariest part of Student Body is patriarchy and gaslighting, not getting hit in the head with a sledgehammer by the school's mascot.
Bad acting, technically inaccurate directing & a slew of racial epithets will not take anyone far, nor does it make La Soga Salvation a better film.
The King’s Daughter is lifeless & lacks enchantment, which makes the convoluted story, the underdeveloped lead & distracting costumes more noticeable.
Mother/Android has some very interesting ideas, but cannot balance its themes while simultaneously maintaining interest in its leading characters.
Weighed down by its inability to fully commit to a story about fathers and lacking a fighting spirit, Rumble is far from being a must-see animation.
The King's Man is a joyless prequel to Kingsman, devoid of the charming offbeat comedy and pulse-pounding action scenes that made this franchise fun.
Diary of a Wimpy Kid is a mediocre children's movie that feels derivative of the 2010 movie adaptation of the hit book series by Jeff Kinney.