For fans eagerly awaiting news on the story or production of Batman vs. Superman, the last few weeks (or months before that) have been a bit of a roller coaster. And no character has been the source of more discussion, speculation, rumor-mongering or debate than Wonder Woman. Especially not once the question was raised of whether writer David S. Goyer and director Zack Snyder would alter Wonder Woman’s origins, characterizing the heroine as a descendant of Krypton – just like Superman.

Changes to canon aside, we have to ask: could it be a wise move in the long run? The fan objections are easy to grasp, and completely justified – even if an infusion of Krypton into Wonder Woman’s history might help solve several troublesome issues that Snyder, or whomever accepts the task of helming a Wonder Woman solo film must face.

It’s also worth pointing out from the outset that the idea of a Kryptonian origin for Diana and the Amazons was never a reported rumor, simply speculation, and other ‘sources’ have since come forward to claim that they are FAR from accurate. Even so, neither Snyder nor Goyer has come forward to refute the claim (not that we’d even believe them), so the question remains valid.

At this point, it’s impossible to say exactly how the filmmakers may be changing Wonder Woman’s origins – or Batman’s, for that matter – but they proved with Man of Steel that they aren’t afraid of adding to or revising the mythology. The Amazonian princess is a harder sell for Snyder’s more grounded universe, so fans should expect changes regardless.

…After all, the way we see it, a Kryptonian twist may not be the worst possible version we could get.

The Current Origin

If there is one thing that the discussion surrounding Gal Gadot’s casting as Wonder Woman for Batman vs. Superman made clear, it’s that the world’s greatest superheroine’s origins are not nearly as well-known as those of either Superman or Batman. So first we’ll outline the basic points – those which die-hard fans are no doubt hoping to see preserved for Diana’s jump to the big screen.

The story begins with the Amazons: a fictional society consisting entirely of fierce, powerful warrior women with roots in classical mythology. In the DC Comics universe, those Amazons are much more than a simple myth, inhabiting a hidden island known as Themyscira (‘Paradise Island’) with a culture (and ancestry?) taken from the gods and goddesses of Greek mythology.

While every woman was versed in combat (and possessed varying levels of immortality and invincibility over the years), the one thing they did not know was motherhood. That is, not until their Queen Hippolyta begged the gods for a daughter, and along came Diana, the newly-dubbed Princess of the Amazons.

That basic premise is about as detached from reality as one can get, so in recent decades, the character’s history has been retconned and tweaked by numerous writers. With more modern questions came answers: the Amazons don’t simply live forever, but travel to shore to gain information and… offspring from men, keeping only the daughters for their society.

Similarly, Wonder Woman’s invisible jet was rendered useless when Diana was granted the ability to fly. But the Amazons’ relationship to various gods and goddesses has always been difficult to pin down – until recently.

With DC’s New 52 re-launch came a brand new fiction courtesy of writer Brian Azzarello who instead of shying away from the supernatural, embraced it; Diana was no longer a lump of clay made human, but the daughter of Hippolyta and Zeus, granting Diana her invincibility and superhuman strength. As a demigod, Diana was thrust into the drama of her extended family: Hades, Hera, Apollo, and the rest of the Olympian deities.

The result was a reasoned, fantastic take on the character that not only distinguished her from any other hero with whom she usually associates, but became one of the most critically-acclaimed entries in DC’s new lineup. And all things considered, a fresh and inspired enough fiction to justify a big screen adaptation.

But that was before Snyder’s plans, and those of the studio became clear.

NEXT PAGE: The Unavoidable Problems

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