This summer’s breakout hit has to be The Hangover. Everyone expected it to be funny and do well at the box office, but no one expected it to eclipse the $400 million worldwide mark. In case you didn’t know (or couldn’t guess), The Hangover 2 is already filming and planned for a Memorial Day 2011 release.

The film revolved around a group of four guys who head to Vegas for a bachelor party and after a night of raucous activities, can’t find the bachelor, have a baby to take care of and a tiger in their bathroom. Needless to say, all the pieces come together at the end of the film but have you ever thought to yourself “Man! How much would a night like that cost?”

So we just finished telling you why the Summer of 2009 was the season of bad movies. Now, as if to validate our point (sarcasm alert) Variety has just announced that the Summer of ‘09 has set a new record as the highest grossing summer of all time at the U.S. domestic box office.

So there you have it, folks, it’s official: Hollywood has no reason to ever hire good writers, produce good scripts, or offer us anything better at the multiplex than what Michael Bay can half-envision.

Awesome.

With the unavoidable success of the raunchy, R-rated comedy The Hangover, Hollywood sees an opportunity that it’s not ashamed to exploit irrespective of the consequences, like John and Kate’s eight coattail riders. Let’s look at this from a purely business perspective: The Hangover cost a touch over $35 million to make, and so far its raked in $380 million.  That’s like a million percent return on investment, or something; any lemonade-stand-entrepreneur can see that this is the bandwagon to jump on.  And jumped on Hollywood has.

Up to bat after The Hangover comes Lionsgate’s announced project, One Night Stan, which is in the works and penned by Josh Friedlander, who previously wrote the scripts Pictures of You (which clung to the bottom of the 2007 Black List of hottest Hollywood screenplays with the requisite 2 votes), and Suicide Blondes (we’d never heard of it either).

This week:

First there’s The Proposal and then there’s The Hangover; Moneyball gets thrown a curve-ball; Scream 4 isn’t Neve Campbell’s favorite scary movie; it looks like The A-Team won’t be Common and there’s an up and coming Red Dawn.

This week:

Will Ferrell has a Hangover while the box office is UP; Jake Gyllenhaal and Anne Hathaway do Drugs; Mary-Kate Olsen, Alex Pettyfer and Vanessa Hudgens are Beastly; Sigourney Weaver returns to aliens; Lemony Snicket gets animated and Roberts and Bardem Eat.

Short version: Who would have thought? The Hangover is a crude, crass comedy that manages to be smart at the same time – oh, and funny as hell.

Screen Rant reviews The Hangover

When you start laughing about 30 seconds into a movie, that’s usually a good sign.

The plot of The Hangover is very simple: Three buddies (and one tag-along) head to Las Vegas to celebrate the impending marriage of one of their own with a bachelor party weekend. They get so incredibly blasted on the night of their arrival that they don’t remember a single thing that happened – of course maximum mayhem ensued during the evening, and they must piece together because the groom-to-be has gone missing.

Rumors for the upcoming A-Team action film have been running rampant recently with speculation that Common (who’s in this week’s Terminator Salvation) is in talks to play the role made famous by Mr. T, B.A. Baracus, and Chris Pine as Lt. Templeton “Faceman” Peck but instead wanting to play the crazy Capt. H.M. “Howling Mad” Murdock.

Enter Bradley Cooper.

For those not in the know, ShoWest is a convention for theater owners where studios pimp out their movies with the hopes of making a mark regarding their up and coming films. Yesterday, at ShoWest in Las Vegas studios decided to give one another a run for their money. Warner Bros. president Alan Horn showed clips of Terminator Salvation and the new Harry Potter. Both were things we’ve seen before and nothing particularly special.