One of the most popular Asian films of the last few years is Park Chan-wook’s Oldboy, the middle part of his Vengeance Trilogy (the first and third being Sympathy for Mr. Vengeance and Lady Vengeance, respectively). I personally must have watched the movie at least 10 times, and it keeps getting better and better every time I watch it. A bona fide masterpiece IMO.

One of the most memorable scenes, not just of Oldboy itself but of any movie in the last decade, is the unbroken extended fight sequence in a dark hallway involving the main character and at least a dozen guys all attacking him at once. It’s an amazing, eyebrow raising sequence that’s unique to just about every other movie fight sequence I’ve seen.

Here at Screen Rant we haven’t covered much of the American dreaded remake of the Korean masterpiece Oldboy, which has Steven Spielberg and Will Smith attached. But there’s be so much stuff going on behind-the-scenes with it that we thought you’d like to be updated on its status.

It’s that time again – you know when you catch up on film news that you might have missed.

This week:

Neil Marshall is a Centurion; John Orloff helps create James Bond and Smith backs away from Oldboy.

Hope you had a good Thanksgiving. This weekend the news wrap up features:

What hit the top of the box office; Oldboy gets a scriptwriter; Genesis: Apes is real; there will be a New Moon in March and Hugh Jackman discusses the end of Wolverine.

It’s Sunday so that can only mean one thing – The Weekend Movie News Wrap Up!

This week:

John Landis robs with graves with Burke and Hare; Spielberg and Will Smith eye Oldboy; Tom Hanks doesn’t take The Road To Purgatory; we can expect another 30 Days of Night and Carpenter and Cage think that it’s a Riot that they are no longer Scared Straight. Also there is the usual Box Office break down.