‘Snowpiercer’ Review

Published 10 months ago by , Updated October 7th, 2014 at 1:18 am,

Snowpiercer Reviews starring Chris Evans Octavia Spencer Tilda Swinton by Joon ho Bong Snowpiercer Review

All in all, Snowpiercer is definitive proof that there is a growing market for moderately-budgeted blockbuster films – that is,  if you approach things from a global market perspective.

Snowpiercer imagines a future where an attempt to fix global warming backfires, plunging earth into another ice age. The only survivors of the calamity are the passengers aboard “The Snowpiercer,” a massive train powered by a perpetual engine, which makes one lap around the globe on a yearly cycle. Within the microcosm world of the Snowpiercer, a social hierarchy is quickly established: the poor, weak, and destitute are confined to the tail, while the wealthy, powerful and affluent members of society live towards the front of the train, where their leader/god – the industrialist Mr. Wilford – dutifully maintains the engine.

The twist comes when a young tough from tail section named Curtis (Chris Evans) decides to lead his people in revolt. After quickly seizing control of a few cars, Curtis and company free prisoner Namgoong Minsoo (Kang-ho Song), the security officer who built the doors to each section of the train, as well as his eccentric daughter, Yona (Ah-sung Ko). Namgoong agrees to aid the revolution for a price: Curtis must supply him with a piece of “Kronol” (an addictive drug made out of toxic waste) for every door hacked into. With a plan to guide them, Curtis and his rebels begin to claim car after car in the name of socioeconomic justice; however, Snowpiercer’s bureaucratic overlord, Mason (Tilda Swinton), won’t let Curtis succeed without a fight. As blood begins to flow, the Curtis revolution not only upsets the social order – it could literally derail The Snowpiercer and bring and end to humanity’s time.

Snowpiercer Train Car Battle Snowpiercer Review

The newest work of Korean filmmaker Joon-ho Bong (The Host (cult-classic 2006 monster movie, not the Stephenie Meyer tween drama)), Snowpiercer is a piece B-movie science fiction brought to life in highly impressive fashion and distinguished by the uniqueness of its world, the compellingly oddball characters that populate it, and a signature filmmaking style that has earned Joon-ho Bong a cult following. And it’s a following that is sure to grow exponentially, if he keeps making movies like this one.

On a directorial level, Joon-ho makes the most out of a modest budget (estimated at $39.6 million) to create the world of the Snowpiercer train society. Maybe the sole flaw in the movie is that, at times, its visual effects show their budgetary limitations (see: exterior shots of the frozen world or moving train); however, for the most part, the sets (and characters) are gritty and dark and convincingly real in their near-future designs and tech. Each “car” of the train reveals a set piece distinctly different than the one before, yet consistent within the context and aesthetic of the film. Each step of the journey is made to be worthwhile and interesting – often chilling, like something out of an Orwellian nightmare – and sci-fi fans will get a kick out of this particular version of the post-apocalyptic (dis)order.

School Classroom scene in Snowpiercer Snowpiercer Review

That’s not to say that Joon-ho’s achievement can only be measured in aesthetic; there is some great direction at work in the film – from the shot choices and imagery, to the brutal action sequences that come in unrelenting and violent waves. Snowpiercer mixes eastern and western cinematic signatures into a refreshingly unique brew, which only further helps distinguish this oddly wonderful world.

Joon-ho also composes the tone of his film into flawless movements between stark and serious social commentary, over-the-top action, and almost cartoonish brutality, and plays those alterations in perfect harmony. Cinephiles will also notice homages to some directorial greats – such as Kubrickian and Hitchcockian technique for creating intense and effective moments of horror and suspense, respectively. Joon-ho proves to be both a well-studied and yet uniquely avant-garde composer of his film world.

Kang ho Song in Snowpiercer Snowpiercer Review

Kang-ho Song in ‘Snowpiercer’

Before the Devil Knows You’re Dead screenwriter Kelly Masterson helps Joon-ho adapt the French graphic novel Le Transperceneige (by Jacques Lob, Benjamin Legrand and Jean-Marc Rochette) into a smart (and often darkly witty) sci-fi parable / social allegory. There are great (often hip) exchanges of banter (sometimes in different languages) – yet also odd-yet-effective pauses for Shakespearean monologues that marry east/west philosophical quandary with topics like murder and cannibalism. There are speeches and lines in Snowpiercer that will likely be burned into your brain alongside the imagery; that alone is a testament to the potency of what Bong and Masterson have created on the page.

The metaphorical parallels to contemporary society are very on-the-nose, but they are also thankfully stripped of political leanings in order to focus on larger philosophical questions of how society is structured and how it functions. The movie is not afraid to take those questions on directly, and handles them with enough complexity to make the build up exciting, and the ultimate payoff as thought-provoking and satisfying (intellectually) as it is entertaining.

Chris Evans in Snowpiercer Snowpiercer Review

Chris Evans in ‘Snowpiercer’

A great cast absolutely makes this film better than it could’ve otherwise been, and every player earns his/her spot. Chris Evans is pretty much a revelation as a leading man; the difference between Evans in a complex and layered role like this, and the hollow persona he dons to play Marvel’s Captain America is stunning. Curtis is a character who grows deeper and more compelling as the film goes on, and Evans delivers each level of the performance perfectly. After a few Marvel films, his skills on the action front are just as accomplished; Curtis is as formidable and badass as he is deep. A great character and great role to show what Chris Evans could be as a free agent.

The Host stars Kang-ho Song and Ah-sung Ko re-team with Joon-ho to play a pair of great foils for Curtis. Song is all old-school Hollywood cool as Namgoong, while Ko is all plucky and cute as Yona, often creating a humorous juxtaposition to the many horrific circumstances our heroes face along the way. Iconic actor John Hurt brings the necessary gravitas as Curtis’ righteous mentor, Gilliam; Jamie Bell (Turn), Ewen Bremner (AVP) and Octavia Spencer (The Help) have the skill to quickly and deftly create secondary rebel characters we like and care about; while Luke Pasqualino (The Borgias) shines in some well-choreographed action sequences as Gilliam’s bodyguard, Grey.

Chris Evans Tilda Swinton and Octavia Spencer in Snowpiercer Snowpiercer Review

The Cast of ‘Snowpiercer’

On the villain side, Tilda Swinton steals (and chews) many a scene as a ridiculous bureaucrat caricature who is almost hilariously sociopathic in her stern speeches about the natural hierarchy of society. Eastern European actors Adnan Haskovic and Vlad Ivanov are frighteningly good as Franco the Elder and Franco the Younger, Mason’s henchman; Haskovic steals his part of the show, playing Elder as a ruthless and shockingly brutal stone-faced maniac. Other famous faces pop up for cameo roles along the way through the train – most of them are best enjoyed in surprise (don’t watch too many trailers).

All in all, Snowpiercer is definitive proof that there is a growing market for moderately-budgeted blockbuster films – that is,  if you approach things from a global market perspective. It’s blend of unique vision, strong execution (in action, wit, and humor) and compelling characters (brought to life by a skilled ensemble) culminate in one of the year’s best bets for a dark horse hit. If Transformers 4 is everything that makes you sick about modern sci-fi, this movie is your medicine. See it. ‘One of the best of the year,’ indeed.


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Snowpiercer is now playing in limited release. Check out Fandango for theater locations – UPDATE: Or view the movie at home through VOD, iTunes or Amazon.

Want to hear the editors discuss the film? Listen to the Snowpiercer segment of the #SRUnderground podcast.

Follow me and talk movies @ppnkof

Our Rating:

4.5 out of 5

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  1. they must have gone into this with very low expectations.

  2. Wow… Hunger Games on A Train got 4.5 stars from SR?

    It was also well-reviewed in my local paper.

    Now I have to see it… and hope not to get Noah’ed.

  3. I recall reading that America was pushing for major edits to their release and I haven’t seen that version. But I saw the full version and that was excellent.

    The film is thought provoking, superbly acted and entertaining. It is sci-fi at its best.

    • They did not edit the US version. Though I’m dying to see it on the big screen. I’ve watched it on my computer a couple of times already.

  4. I was so impressed with this film! Heard it got good reviews and that was the only reason I went to go see it! I’m encouraging all my friends to rent it on iTunes or go to the nearest Angelika!

  5. I enjoyed the movie,it is not supposed to be a literal tale,it is by no means realistic,but it’s a film of big ideas,both visually and metaphorical,the cast are terrific,and the film is so full of WTF? moments you have to just go with it. What a wild unexpected ride,good scifi,worth your time,just don’t go if you like picking apart plot holes,the flick is nothing but holes,so it’s not for you,it’s not realistic at all.but it’s great to see no compromise in style or substance.

  6. Oh!! So frustrating! such a shame so many of commentators here were not able of enjoying this masterpiece. It has come to my attention that american public are so use to receive stories in such a particular way that the rest start to feel inadequate for them, even more when it comes to action/sci-fi films since of course Hollywood is such an entertainment machine on those areas. I find amazing there’s people comparing this movie with Edge of Tomorrow, because, first of all, budget, 178,000,000 vs 39.2 million, I guess I don’t have to specify, right? and second of all, Snowpiercer is way better. And I’m not saying I didn’t enjoy EOT, I did, very much, but at the end those movies are empty, don’t take too much risks, don’t let any space for controversy and the love story always prevails. I respect there’s people for that kind of movies, too much people actually, including me. But discard a film with arguments like the plot sounds stupid? yeah of course, because there’s nothing in the film industry that we’ve watched and liked with an unrealistic plot. Because people laugh at the trailer? because people laugh at some “dark/sad” scenes? I can not count the times people have laughed on the cinema while on a crucial scene, just being mean, assholes, arrogants, they think it’s cool because “they’re so smart they won’t buy that b*******” etc, etc I’m sorry but people can be stupid like that and we should all know it, I would never decide over a film based on that kind of facts. And I agree that the movie is bizarre, but it’s beautiful because of that precisely. It’s perfect? no, not at all. But in many ways Snowpiercer is much more clever than many, MANY, others. Here in my country it’s not on screens and probably will never be, but among friends and critiques who took the time to watch it, was a complete success.

    • There’s no way people didn’t like it simply because they didn’t feel it was worth all of the praise. It must be an “American” thing…

      Funny, I wasn’t born in the USA… How odd…

    • im with you i loved that they made this great movie on such a low budget, goes to show that america has a lot to learn about making movies. my entire family and all my friends loved it even people i recommended it to adored it. but then again they are all European as am i.
      i believe lately the best movies are from France and Korea. at the least the ones with the best story line and cinematic quality . since all Hollywood is making are big box office blowouts that they waste over 250 million on like the lone ranger which frankly i don’t see why it should cost that much. and they hire big movie actors just for movie promotion actors who ask way to much money leading to big miscasts in movie’s ( especially superhero movies)

      its like the movie the departed its one of the worst movies i saw and martin ripped it of from internal affairs which was such a master piece and martin raped it and made the departed. now usa is stealing movie idea’s of the Netherlands Korea and France.
      like here are a few

      i saw the devil, (korean)
      the loft (dutch)
      oldboy (japanese)
      the departed(chinese)
      Bangkok dangerous(thai)
      my sassy girl(korean)
      vanilla sky(spanish)

      and those remakes were worse then the original movie. it should stop and people who ruin movies this much should be arrested since it a crime to let people pay for something they expect and give them something else.

  7. …in a dystopian future where creaky tricycles are the only sound, lights flash different colors for no reason and the back story is told to you section by excruciating section you will find; The Anti-Drama!

    Yes, yes, yes, YES! This is the most ridiculous movie you will waste two whole hours of your life on and you will know how the snow is pierced! Yes, you will know why the Hollywood Dragon is dying off, pinned at the nape by the spear! You will crawl into your bed and cry for those lost two hours and the garbled mess of a plot your five year old could have written which cannot leave your troubled mind…

  8. Is there a spoiler page for this movie. I would like to see some thoughts on it. I just saw it last night on pay per view.

  9. So stupid wasted 2 hours of my life

  10. Lame, drama-queen Direction, Juvenile Cinematography, and C-grade, third-world, idiot level of sophistication. It’s apocalypse with the intellectual spin of an average three-year-old. The director seems ignorant of the craft – the actors are surely embarrassed to have participated. One attempted mini-climax after another, via wanna-be action sequences with no believability, amidst 1950′s-style,backward, self-absorbed psychology-drama that is comically pathetic, all of it leading absolutely nowhere. The end.

  11. i loved this movie it was great it had beautiful moment and bad and it had my fav korean actor in and chris evans showed us he could be cool to. the story itself is dark but good its like and old school sci fi movie. you can notice it has a Korean taste of directing into which mkes the movie so beautiful and the scenes within them are just sublime.

    but then again if ur into mindless blockbusters its better to watch avengers and such since this movie is for those who love korean cinema

    • but im sure that most people in america wont apreciate this film as seeing they dont much watch foreign movies anyway since reading subtitles is stupid to then ;)

      • Awwww, so cute, you tried to make a typical anti-USA remark, and in all of your grand “intelligence” you forget that most of this movie is in English…

        Nice try though. ;)