Latest Reviews

  • Everest Review

    Everest

    Everest is a sobering character story packed with bravery, horror, and humility – as well as thrilling tension.

    (11) by Ben Kendrick
  • Maze Runner: The Scorch Trials Review

    Maze Runner: The Scorch Trials

    The Scorch Trials maintains the semi-successful bar of intriguing movie escapism set by The Maze Runner.

    (60) by Ben Kendrick
  • The Visit Review

    The Visit

    The Visit is a fun and kitschy horror parable – though the trademark Shyamalan twist will be a big disappoint for many viewers.

    (33) by Kofi Outlaw
  • Z for Zachariah Review

    Z for Zachariah

    Z for Zachariah uses its post-apocalyptic backdrop to craft a compelling and moody character study.

    (10) by Sandy Schaefer
  • The Transporter Refueled Review

    The Transporter Refueled

    Despite a lot of shortcomings and undercooked elements, The Transporter Refueled is a mildly entertaining action film.

    (22) by Ben Kendrick
  • We Are Your Friends Review

    We Are Your Friends

    We Are Your Friends is a beautifully absurd millennial angst fantasy, as shallow yet infectiously catchy as an EDM song.

    (6) by Kofi Outlaw
  • The Boy Review

    The Boy

    The Boy is a very slow burn, one that successfully works to the narrative at hand, but isn’t particularly enjoyable to watch.

    (1) by Ben Kendrick
  • No Escape Review

    No Escape

    Despite some competent suspenseful filmmaking, a thin story and xenophobic overtones make No Escape an unpleasant movie to watch.

    (40) by Sandy Schaefer
  • Sinister 2 Review

    Sinister 2

    There are elements of a decent horror parable here, but Sinister 2 lacks the restrained direction and eery mythos of its predecessor.

    (11) by Sandy Schaefer
  • Hitman: Agent 47 Review

    Hitman: Agent 47

    Hitman: Agent 47 is a second missed opportunity to translate one of the more adaptable video games into a satisfying movie experience.

    (32) by Kofi Outlaw
  • ‘American Ultra’ Review

    American Ultra

    American Ultra is not quite the sum of its eclectic parts, but is strangely entertaining, nonetheless.

    (17) by Kofi Outlaw
  • ‘Straight Outta Compton’ Review

    Straight Outta Compton

    Straight Outta Compton hurtles toward greatness only to fall short in execution. Yet, aiming high and falling short still results in a very good film.

    (50) by Kofi Outlaw
  • ‘The Man from U.N.C.L.E.’ Review

    The Man from U.N.C.L.E.

    Though viewers will find familiar story beats and characters in The Man from U.N.C.L.E., Ritchie succeeds in creating a fun love-letter to 1960s spy fandom.

    (35) by Ben Kendrick
  • ‘Ricki and the Flash’ Review

    Ricki and the Flash

    Ricki and the Flash is a half-baked comedy/drama, but the cast (including Meryl Streep’s aging rocker) makes it a charming one.

    (9) by Sandy Schaefer
  • ‘The Gift’ Review

    The Gift

    The Gift is a haunting character drama that successfully incorporates elements of the thriller and psychological horror genres

    (21) by Ben Kendrick
  • ‘Fantastic Four’ Review

    Fantastic Four (2015)

    All the pieces were in place for a refreshing entry in the superhero genre, but Fantastic Four completely unravels at the halfway point.

    (300) by Ben Kendrick
  • ‘Mission: Impossible – Rogue Nation’ Review

    Mission: Impossible - Rogue Nation

    Mission: Impossible – Rogue Nation is a smart and exciting blockbuster, as well as another strong installment in the Tom Cruise action franchise.

    (68) by Sandy Schaefer
  • ‘Vacation’ Review

    Vacation

    The new Vacation means well but tries too hard, and is ultimately just another pale imitation reboot.

    (33) by Kofi Outlaw
  • ‘Justice League: Gods and Monsters’ Review

    Justice League: Gods and Monsters

    Justice League: Gods and Monsters is a must-see for any DC fan – the launchpad to a rich and fun alternate version of the DC universe.

    (99) by Kofi Outlaw
  • ‘Southpaw’ Review

    Southpaw

    Southpaw is a paint by numbers boxing drama kept afloat by good direction and a ferocious Jake Gyllenhaal performance.

    (11) by Sandy Schaefer
  • ‘Pixels’ Review

    Pixels

    Despite a solid premise and talented supporting cast, Pixels is another shallow addition to Adam Sandler’s product line.

    (37) by Ben Kendrick
  • ‘Paper Towns’ Review

    Paper Towns

    It’s not the most poignant or ground-breaking coming of age tale, but Paper Towns’ gentle nature and noble intentions make it a respectable one.

    (5) by Sandy Schaefer
  • ‘Mr. Holmes’ Review

    Mr. Holmes

    Mr. Holmes is a solid (if unremarkable) period drama that is anchored by a great Ian McKellen performance as an old Sherlock Holmes.

    (6) by Sandy Schaefer
  • ‘Trainwreck’ Review

    Trainwreck

    Trainwreck is an honest film that defies gender stereotypes; though, more often than not, it still adheres to familiar romantic comedy tropes.

    (16) by Ben Kendrick
  • ‘Ant-Man’ Review

    Ant-Man

    Though being a formulaic Marvel superhero origin tale, Ant-Man gets a boost from a good ensemble cast and an overall tone of fun and creativity from director Peyton Reed.

    (130) by Kofi Outlaw