Latest 3 star movies

  • ‘Night at the Museum: Secret of the Tomb’ Review

    ‘Night at the Museum: Secret of the Tomb’ is a fun enough trilogy-capper for every family or fan that has followed the series.

    (14) by Kofi Outlaw
  • ‘The Hobbit: The Battle of the Five Armies’ Review

    Peter Jackson’s Battle of the Five Armies ends his Hobbit trilogy on a somewhat underwhelming note, but it’s worth taking that final trip to his Middle-earth.

    (62) by Sandy Schaefer
  • ‘Exodus: Gods and Kings’ Review

    Exodus: Gods and Kings is not an offensive Hollywood cash-grab, nor is it a particularly inventive revision of the Exodus story.

    (109) by Ben Kendrick
  • ‘Penguins of Madagascar’ Review

    Its stars didn’t need their own movie, but there’s enough kid-friendly wit and non-stop humor to justify Penguins of Madagascar’s existence.

    (4) by Sandy Schaefer
  • ‘Horrible Bosses 2′ Review

    Horrible Bosses 2 is another fun time with the crazy trio we met in the first film – only it’s a party that definitely feels exhausted by the end.

    (15) by Kofi Outlaw
  • ‘The Hunger Games: Mockingjay – Part 1′ Review

    It’s a solid entry in the series, and lays an intriguing foundation for Part 2, but on its own Mockingjay – Part 1 is rarely as entertaining or rewarding as its predecessors.

    (67) by Ben Kendrick
  • ‘Whiplash’ Review

    Whiplash is a tense (but somewhat hollow) psycho-thriller that features a ferocious performance to remember from J.K. Simmons.

    (36) by Sandy Schaefer
  • ‘Foxcatcher’ Review

    ‘Foxcatcher’ is an interesting character study that struggles to convey insightful conclusions about its subjects.

    (15) by Kofi Outlaw
  • ‘Rosewater’ Review

    Rosewater is emotionally sincere and thoughtful, but Jon Stewart’s movie also very much feels like a first-time director’s work.

    (5) by Sandy Schaefer
  • ‘Interstellar’ Review

    Interstellar is an imaginative movie, but a heavy-handed mix of personal sacrifice and theoretical physics doesn’t leave much room for subtle storytelling.

    (196) by Ben Kendrick
  • ‘St. Vincent’ Review

    St. Vincent is ultimately derivative of other (and better) indie filmmakers’ work, but thanks to Bill Murray’s performance, it’s still a pleasant and funny viewing experience.

    (2) by Sandy Schaefer
  • ‘John Wick’ Review

    ‘John Wick’ excels, unapologetically, at what it seeks to be: a fun, pulpy, violent B-movie action romp, built upon a cool mythology within a compelling Noir world.

    (32) by Kofi Outlaw
  • ‘The Book of Life’ Review

    The Book of Life works as a visually dazzling celebration of Mexican culture, though its conventional kids’ movie elements leave something to be desired.

    (11) by Sandy Schaefer
  • ‘Hector and the Search for Happiness’ Review

    Hector and the Search for Happiness includes laughs and relatable drama but struggles to find successful balance between engaging journeys and thought-provoking destinations.

    (3) by Ben Kendrick
  • ‘The Boxtrolls’ Review

    While The Boxtrolls doesn’t represent the studio’s best work, it’s nonetheless another visually-inventive, witty, and energetic fairy tale adventure to add to Laika’s mantlepiece

    (4) by Sandy Schaefer
  • ‘The Equalizer’ Review

    The Equalizer is a slow-burn, B-movie hero origin story propped up by a great lead actor and some unique stylistic flourishes.

    (38) by Kofi Outlaw
  • ‘The Maze Runner’ Review

    The Maze Runner leans heavily on its premise, to the detriment of individual characters, but still succeeds as one of Hollywood’s better young adult adaptations.

    (79) by Ben Kendrick
  • ‘The Drop’ Review

    The Drop is ultimately a solid mood piece, with strong performances that help elevate it above its derivative story elements.

    (5) by Sandy Schaefer
  • ‘As Above, So Below’ Review

    ‘As Above, So Below’ milks a surprising amount of richness from its premise and found-footage format, but is hampered by its inability to fully develop both.

    (11) by Kofi Outlaw
  • ‘If I Stay’ Review

    If I Stay’s blend of teen romance and supernatural melodrama doesn’t break the YA mold, but it’s a decent addition to the genre nonetheless.

    (11) by Sandy Schaefer