‘Fargo': Don’t Question the Universe

Published 11 months ago by

Martin Freeman and Kate Walsh in Fargo Epiosde 8 Fargo: Dont Question the Universe

[This is a review of Fargo episode 8. There will be SPOILERS.] 

Since the appearance of the almighty trickster Lorne Malvo, the world of Fargo, or, more the point, the lives of several characters depicted therein have been thrown into a unique kind of controlled chaos, one for which resolution – or immediate resolution, anyway – may not actually be in the cards. Malvo’s corruptive influence and chaotic signature has left nearly all the characters who are working against his authority – whether they know it or not – in a place much like Gus Grimly was back during the events of ‘Buridan’s Ass‘: essentially lost in the blizzard, shooting at shadows, and striking all the wrong people.

When ‘The Heap’ begins, then, it has been quite a while since Malvo was even in Bemidji, and yet his presence is still profoundly felt. Like when Lester trades in the symbol of the life he has left behind by getting rid of the broken washing machine, a lemon that had been recalled by the manufacturer, and conspicuously unreturned by the man who repeatedly failed to fix it himself.

And so, after the offending contraption has been removed, Lester sits on the floor of his basement (the place where he killed his wife) and calmly sits watching the new machine work efficiently and quietly. It is an incredibly dark moment, as it suggests that Lester has won, and, more specifically, Lester has won because of the intervention of Lorne Malvo.

In that regard, Lorne Malvo has also won, because those charged with chasing him and bringing him to justice – at least those not named Molly Solverson – are convinced that their blind shot at a shadow actually struck the true culprit. And so, it seems that no matter what Molly tries to do, or whom she goes up against, she always winds up being outgunned.

Bill tells her to drop the case against Lester because everybody wants a win, and even though its fraudulent, Bill and the Bemidji police got themselves that win – they even went out for drinks to celebrate (i.e., concretize) that victory. And later, despite her reservations, Molly finds herself placed in the impossible position of potentially crushing Ida, who has accepted Bill’s version of the truth as the foundation on which she can begin reclaiming her own life. And so, the truth winds up buried and the wicked (even the hospital bound Mr. Wrench) ostensibly wind up being rewarded.

Bob Odenkirk and Allison Tolman in Fargo Epiosde 8 Fargo: Dont Question the Universe

The situation seems more than a little one-sided, and, perhaps, even hopeless – which is in keeping with the story so far – but with an unexpected leap forward one year, Noah Hawley and Fargo seem to be saying that good things come to those who wait.

Normally, time jumps feel like cheap tricks used to get shows out of narrative cul-de-sacs, a way to service a sense of renewal, or something like a reboot without actually having to do any of the heavy lifting required of such an endeavor. Here, though, the time jump comes conspicuously before the narrative’s conclusion, which creates a (potentially incomplete) sense of a renewal for everyone.

Lester is successful and confident, Malvo has apparently changed his look drastically, and Molly and Gus have started a family together (with the added bonus of Gus no longer being allowed to carry a firearm in service of the law). That falsity of the new beginning, then, becomes more pronounced as the realization that these various new positions (happy as some may be) are the result of events that have yet to be truly resolved.

‘The Heap’ calls attention to the notion that while the wicked are seemingly rewarded and the good are essentially punished, there is a sense of balance coming. That balance manifests first in the episode’s most touching moment, a humanity restoring sequence featuring Bill as he introduces his foster kid, Tahir El Kachief (Barkad Abdirahman), and recounts the incredible story of how the seemingly lost Tahir was recovered and brought to his foster family in the unlikeliest of circumstances.

“Don’t question the universe. Things just work out,” Bill tells a very pregnant Molly who is still secretively investigating the Malvo/Lester case. And for a series that has thus far built a compelling tale around the notion that, if given the right circumstances, anything can and will happen, the idea that sometimes things just work out sounds just about right.


Fargo continues next Tuesday with ‘A Fox, a Rabbit, and a Cabbage’ @10pm on FX.

Photos: Chris Large/FX

TAGS: Fargo
Get our free email alerts on the topics and author of this article:


Post a Comment

GravatarWant to change your avatar?
Go to Gravatar.com and upload your own (we'll wait)!

 Rules: No profanity or personal attacks.
 Use a valid email address or risk being banned from commenting.

If your comment doesn't show up immediately, it may have been flagged for moderation. Please try refreshing the page first, then drop us a note and we'll retrieve it. Keep in mind that we do not allow external links in the comments.

  1. I loved the beginning of the episode. I have a few qualms though…

    Why don’t Key and Peele (sorry I don’t know their real names) quit? They got put in the filing room which I guess is the bottom of the food chain for the FBI and now they just sit there doing nothing for a YEAR?! Wouldn’t one or both them quit during that time?

    I thought the 1 year jump forward was pretty jarring and idk where they’re gonna go with it exactly, but if they go somewhere awesome in the next two episodes then I’ll be fine with it.

  2. Key and Peele didn’t quit because, one pension ,two they thought they would be out after a few weeks of punishment , but time as it is know to do slid by.

    Now that the board has fallen , and they have been reminded of why they are there , bet they start looking at the old files and see Molly’s contact number and both sides start to put things together.

  3. On the other hand….After all the training they go through to become FBI it’d be really clear to them that if they washed out after this that there’d be nowhere to go but down. They’d be looking at joinging a sherrifs dept in someplace like Bemidji or smaller (In 2006 ND didn’t have the boom yet or they could easily get on someplace out there where there’s a real shortage right now). So basically they’re stuck…..But really…Do you think a field office will be paying saleries for two agent to do filing in these days of everything going electronic (Even in 06…..Not as much as now, but it was starting)?

    As for the episode….For about the first 20 minutes I thought the show was really sinding down to an ending already. I couldn’t quite figure what was going on other than to show how people were getting on….Then they went ahead a year and it really started to look like they were winding down. Until Lester stood up to Hess’s widow and her sons, and impressing the hell out of that cute co worker. Eventually everything starts to fall into place and with the previews for next week it’s really going to be exciting to say the least.

    Here’s my question….We can pretty much figure both Malvo and Lester will be put down at the end, but by who? Will Lester get it from Molly, Malvo or one of Hess’s family? Will Malvo get it from Molly, Mr. Wrench, Lester, or a wild card like Gus figuring he has to protect his family?

    My guess is Mr. Wrench probably is either working for him or is ling gone and has no interest in him because there’s no pay day in it. Lester might have the gonads to try now, but I think Malvo would get the better of him…..Molly is a good bet, but a bit too obvious. I’m kind of thinking that womewhere along the line Gus finally gets a chance to redeem himself for his huge screw ups earlier…..And somehow get in a lucky shot.

  4. Lester is getting his brother’s guns. First clue. The next one is the ‘chance’ encounter with Malvo, a year down the road, in Vegas. When Malvo, who has been all-knowing throughout, asks Lester (in the shorts for next week): “Is that what you want? Are you sure?” it can only mean one thing…

    The development curve for Lester is very similar to Breaking Bad’s Walt. Once he got a taste of success and power, Walt couldn’t help himself. Even though he had what he wanted, he had to continue the momentum to the top, i.e. past Gus, and ultimately to his own demise. Something along those lines is about to happen in Fargo.