For the past six months, journalist Neil Midgley followed around Steven Moffat, Matt Smith and the rest of the Doctor Who crew as they began to film the newest series. From the first table read where Moffat tells the 58 members of the cast and crew that “this will be the most scrutinized hour of our television lives” to the filming of the twelfth episode, he saw it all.

This is the first time fans get a real sense of the new stories, new doctor, new sonic screwdriver and new TARDIS. Above all else, we find out that Maffat’s goal for the new season is “for it not to be sh-t.”

I couldn’t have put it better myself.

The article itself is extremely in-depth – like a literary version of Doctor Who Confidential – and a must-read for any Doctor Who fan. So, in order to save space, I’ll just post some of the highlights here.

Matt Smith’s version of the Doctor

Smith is certainly his own Doctor. Less prickly than Eccleston and without the slapstick of Tennant, he brings an air of muddled intensity that’s a bit reminiscent of, say, Tom Baker (though without the stripy scarf).

Karen Gillan (Amy Pond) describing her connection to the Doctor

They’re two of a kind. They’re both a bit lost. Because Amy has no parents, she’s this Scottish girl in an English village. So they’re both lost souls that have found each other. And they both have a sense of adventure about them, and I think that’s what the Doctor loves about Amy. She has that spirit in her, and that fire. She keeps him on his toes.

A new sonic screwdriver (Tennant’s will be destroyed in the first episode)

It’s a very shiny metal toy with a green light and, when Smith flicks his hand, metal claws that pop out at one end.

The redesigned TARDIS

It must be three times the size of Tennant’s, on multiple levels with staircases in between. Less grubby than its predecessor, with a transparent plastic floor on the main level, its walls are resplendent with polished copper and its central column features a blown glass decoration that could be straight from Tales of the Unexpected. There are old car seats and downstairs – downstairs! – a swing. With a nod to Paul McGann’s Tardis, the central column features an old TV screen on an extendable trellis. It also has a 1980s-style computer keyboard, and a His-Master’s-Voice style trumpet speaker.

If you found any of the above interesting, I encourage you to read it in its entirety. The behind-the-scenes look as well as the intimate interviews with the cast and crew should easily put anyone with concerns about the new season at ease.

Looking back now, I don’t know why I was so hesitant of the upcoming season. Sure, there’s a new cast a crew, but it’s being spearheaded by Steven Moffat – one of the best writers Doctor Who has ever had. Instead of working with what was already there, he was given the opportunity to choose his Doctor, his companion and tell his stories… and have a TARDIS with a swing set (nobody’s perfect).

While I’ve yet to see any of the new season, I firmly believe that it will be as wonderful as all of the past episodes – even if there are Daleks.

What do you think of the sneak peek of season 5? Happy that there’s now a swing in the TARDIS? Sad to see the sonic screwdriver go?

Let’s hear it!

Catch the fifth season of Doctor Who when it premiers April 4 on BBC One (UK), April 17 on BBC America (US) and April 18 on ABC (Australia).

Care to talk more dual-hearted time travelers? Hit me up on Twitter @anthonyocasio

Source: Daily Telegraph