‘The Americans’ Have A Wholesome Teenage Sunday

Published 8 months ago by

Matthew Rhys in The Americans Season 2 Episode 9 The Americans Have A Wholesome Teenage Sunday

[This is a review of The Americans season 2, episode 9. There will be SPOILERS.] 

-

This season, The Americans has been twinning the plot lines of Paige and Henry with the ongoing conflicts their mother and father are secretly engaged in. The effect has been an enhancement of all four character’s arcs without relying solely on the ongoing question of Paige’s suspicion and pursuit of knowledge about her parents that ended season 1 and kicked off again in season 2 with a bus ride and surprise visit to her aunt Helen’s house.

It has also afforded the series some of its best, most emotionally affecting scenes, like Henry’s breakdown over his concerns of being a good person who might only be remembered for the bad thing he had done. These moments are more than the culmination of smaller, episode-sized plot threads; they’re the foundation of the series’ often devastating emotional tenor. They are the necessary equalizer to what is so often the nearly unbearable (enjoyably so) level of suspense and tension that permeates these storylines.

So, when an episode like ‘Martial Eagle’ comes along, the emotional investment in the show’s characters is already high. Philip, Elizabeth, Paige, Henry, and even Stan and Sandra are not just constructs meant to propel a plot; they’re lived-in, and therefore can carry a more demonstrative burden that adds to the audience’s experience and aids in the understanding of such complex circumstances. In that sense, the episode becomes another push into darkness for a series that was already neck deep in a sometimes confounding and conflicting moral gray area.

For all the layers and resonance writer Tracey Scott Wilson imbued ‘Martial Eagle’ with, the episode is also noteworthy for the contributions Oliver North, former Marine Corps lieutenant colonel and key figure in the Iran-contra scandal, made to the storyline.

Reportedly, North was contacted to provide some detail on the ongoing thread of the government’s attempts to help contra rebels in Nicaragua – of which Captain Larrick (Lee Tergesen) is a major component. North’s involvement is no doubt going to turn some heads, but it shouldn’t be too much of a distraction from what is another stellar episode of The Americans.

Matthew Rhys and Keri Russell in The Americans Season 2 Episode 9 The Americans Have A Wholesome Teenage Sunday

The idea of rebellion and the need to distance one’s self from the yoke of responsibility – especially when faced with it – permeates the episode. Paige has become so enchanted by Pastor Tim (Kelly Aucoin) and his church that she’s given them $600 dollars in donations, spurring an explosive confrontation with her father and, eventually, a midnight chore list from her mother intended to teach her what it’s like to act like an adult.

Meanwhile, Stan is facing the burden of potentially ruining Agent Gaad’s career and wrecking his own marriage. The confrontation between Stan and Sandra is astounding because of its lack of explosiveness; it is the antithesis of the series’ thematic core of secrets and lies. Sandra’s confession that she is planning to have an affair is a knee buckling gut punch of honesty that leaves Stan reeling and even forces a silent admission of his own adultery.

At the same time, Philip continues to struggle under the emotional lumber of the lives he’s forced to take in the name of the Cause. The long-planned mission he and Elizabeth undertake goes awry and leaves several men dead, a number that is made even worse when the couple returns to find the truck driver they’d kidnapped – and Philip fought to keep alive – has apparently succumbed to the elements.

His response, then, is to lash out and attempt to break whatever connections he can get his hands on, which means sharing the doctored tape of Gaad with Martha and then coming within striking distance of Pastor Tim.

“There’s grace and forgiveness for you. For everyone,” the shaken pastor tells a seething Philip. But that only demonstrates just how far apart the two men’s worlds really are. Philip doesn’t live in a world of grace and forgiveness, his is full of “brutish, cruel, nasty people,” of whom he is one, and worse yet, he knows it.

_________________________________________________

The Americans continues next Wednesday with ‘Yousaf’ @10pm on FX.

Photos: Patrick Harbron/FX

Get our free email alerts on the topics and author of this article:
TAGS: the americans

5 Comments

Post a Comment

GravatarWant to change your avatar?
Go to Gravatar.com and upload your own (we'll wait)!

 Rules: No profanity or personal attacks.
 Use a valid email address or risk being banned from commenting.


If your comment doesn't show up immediately, it may have been flagged for moderation. Please try refreshing the page first, then drop us a note and we'll retrieve it.

  1. this show is so brilliant at playing the juxtaposition of ideals so on the one hand it creates a sympathetic lens into these characters lives, and on the other bringing to the fore front the absurd hypocrisy of it’s main characters. The last two episodes have really explored the later to great effect, for all Elizabeth and Philips rantings of how evil and cruel America is they are far worse in nearly every way. tonight’s episode was amazing because Philip sees that hypocrisy in himself and yet he still caries out his orders despite the fact that it is destroying him and his family. such a good show, loved Stan’s arc as well.

  2. If you liked Breaking Bad you can’t not like the Americans. The storyline is very similar, but set in a totally different environment. The main theme is how to balance a family life with a life of -justified- crime, and from there it spreads out into a web that’s as intriguing to the viewer as confusing to those caught in it. The ‘law’, here as well, is very close to home, but instead of brother-in-law Hank we have neighbor Stan. In this episode the brooding religious theme came to a borderline murderous climax, when Philip, for the first time (!), crossed the line between his professional and family lives. It had to be religion, of course, because Communism has no religion (and that’s what his own daughter chooses. lol). In terms of writing the show may set an even higher standard than Breaking Bad, if that’s possible, because of the sheer number of characters involved in the unfolding plot. That complexity makes the show less accessible to a larger audience, so the sudden transition from under-the-radar to mainstream, seen with Breaking Bad, is far less likely here. But that doesn’t make the quality any less. It could be a downside that we already know how this ends -with the Berlin wall coming down-, but turning that into a personal drama for two (soon to be former) spies is just the kind of fun challenge these writers seem to have embraced. A very high quality show. So understated that many may not realize how good this really is.

  3. Totally agree, excellent series thats undestated, this and justified are some of the best tv going

  4. It is a great show, and I hope it carries on…Hopefully the lack of comments on here isn’t a reflection of how many people are watching…..You know the show is great when you forget that the very people you are wanting to succeed are in reality…”Enemies of the state.”

  5. Im so invested in these characters , if anything happened to them i wouldnt know what to do